Sources

A-LA 1687. Hochreiter, Joseph Balthasar. 4. Regina coeli. Ms. A-LA 1687 . RISM ID: 1001011378.
Cycles: Hochreiter, Joseph Balthasar, Regina caeli.

A-LA 850. Röll, Maximilian. Sub Tuum Praesidium. Ms. A-LA 850. RISM ID: 603002199.
Cycles: Röll, Maximilian, Sub tuum praesidium.

A-ST ChB 5. [Sacred compositions]. Ms. A-ST ChB 5. RISM ID: 650009702.
Cycles: Anonymous, Magnificat ad Vesperas per octo tonos; Anonymous, Benedictus ad Laudes per octo Tonos.

A-ST Mus.ms. 1650. [Instrumental pieces]. Ms. A-ST Mus.ms. 1650. RISM ID: 650008393.
Cycles: Anonymous, Versi (A-ST Mus.ms. 1650) (i); Anonymous, Versi (A-ST Mus.ms. 1650) (ii); Anonymous, Versi (A-ST Mus.ms. 1650) (iii).

A-ST Mus.ms. 2234. Anonymous. Falsi bordoni. Ms. A-ST Mus.ms. 2234. RISM ID: 650010715.
Cycles: Anonymous, Falsi Bordoni (A-ST Mus.ms. 2234).

A-Sd A 1220a. [Sacred songs]. Ms. A-Sd A 1220a. RISM ID: 659001712.
Cycles: Anonymous, Falsibordoni à 4 (A-Sd A 1220a).

A-Sd M.N. 108. Wagenseil, Georg Christoph. Verseti, e 9 Sonate per il Piano e Forte. Ms. A-Sd M.N. 108. RISM ID: 659003353.
Cycles: Wagenseil, Christoph, Praeambula octo tonorum pro organo vel clavicembalo.

A-Sd, A 1120. [Magnificat]. Ms. A-Sd, A 1120. RISM ID: 659001508.
Cycles: Bernardi, Stefano, Magnificat à 4; Bernardi, Stefano, Magnificat à 5.

Adriaenssen 1592. Adriaenssen, Emanuel. Novum pratum musicum longe amoenissimum... Antwerpen: Pierre Phalèse; Jean Bellère, 1592. RISM ID: 993120953.
Cycles: Adriaenssen, Emanuel, Praeludia.

Agricola 1528. Agricola, Martin. Musica Choralis Deudsch. Wittenberg: Georg Rhau, 1533.
Cycles: Agricola, Martin, Kleine Psalmen; Agricola, Martin, Grosse Psalmen; Agricola, Martin, Magnificat.
Dedication signed in Magdeburg, 15 April 1528, the date of the first edition, Ein kurtz deudsche Musica. Magnificat cycles were added in the reprint of the same year. Treatment of the modes occurs in chap. 9, which is copiously illustrated with polyphonic examples, several of which have different modal designations for tenor and bass. One example contains the initial formulas of all eight modes; it occurs in the section `Von dreierley erkentnis der Tonorum' (fol. e2r) that treats the recognition of the modes from beginning (initial motive), middle (ambitus and repercussion) and end (final). The importance of melodic formulas is also attested by the inclusion of 3 psalm tone cycles.

Agricola 1539. Agricola, Martin. Rudimenta musices, quibus canendi artificium compendiosissime complexum... traditur. Wittenberg: Georg Rhau, 1539.
Cycles: Agricola, Martin, Fugae; Agricola, Martin, Exempla.
Dedication signed in Magdeburg, 9 March 1539. Abridged version of Agricola 1528, in Latin. Chap. 4 is on the 8 modes. The book shares much of its contents with Agricola 1528, but some discussion of the species and types of ambitus is added. There are 2 cycles, each consisting of 4 pieces in mixed modes.

Aguilera de Heredia 1618. Aguilera de Heredia, Sebastián. Liber canticorum Beatissimae Virginis Deiparae Mariae octo modis, seu tonis compositum. Zaragoza: Pedro Cabarte, 1618. RISM ID: 990000451.
Cycles: Aguilera de Heredia, Sebastián, Magnificat a 4; Aguilera de Heredia, Sebastián, Magnificat a 5; Aguilera de Heredia, Sebastián, Magnificat a 6; Aguilera de Heredia, Sebastián, Magnificat a 8.
Dedication signed in Zaragoza, 7 July 1618; but the permission to print is dated 3 July 1617. Choirbook, containing 4 Magnificat cycles and 4 separate Magnificats.

Albrechtsberger, Toni. Albrechtsberger, Johann Georg. VIII Toni ecclesiastici. Ms. Wien, Gesellschaft der Musikfreunde, 11616.
Cycles: Albrechtsberger, Johann Georg, Toni ecclesiastici.

Ambleville 1623. [Ambleville, Charles d’]. Airs sur les hymnes sacrez, odes, et noels, pour chanter au catéchisme, le premier dessus comme estant le sujet sert pour chanter seul avec plusieurs excellens faux-bourdons sur les huict-tons. Paris: Pierre Ballard, 1623. RISM ID: 990000900.
Cycles: Ambleville, Charles d', Psalmi.
Generally ascribed to Charles d'Ambleville

Ambleville 1634. Ambleville, Charles d’. Octonarium sacrum seu canticum B. Virginis per diversos ecclesiae tonos decantatum. Paris: Pierre Ballard, 1634. RISM ID: 990000901.
Cycles: Ambleville, Charles d', Octonarium sacrum.

Ancina 1599. Ancina, Giovenale. Tempio harmonico della beatissima vergine. Roma: Nicolo Mutii, 1599. RISM ID: 990001035.
Cycles: Remigio, Don, Breve ritratto delle sette feste solenni della B. Vergine.

Angleria 1622. Angleria, Camillo. La regola del contraponto, e della musical compositione. Milano: Giorgio Rolla, 1622.
Cycles: Merulo, Claudio, Ricercari d’intavolatura d’organo.
Probably written in Milan. Chap. 22 treats the modes according to modern use, which is a system of eight psalm-tone keys, like that of Banchieri 1614. It is applied to a number of compositions by Lassus, Merulo, and Palestrina.

Animuccia 1568. Animuccia, Giovanni. Canticum Beatae Mariae Virginis... ad omnes modos factum. Roma: Eredi di Valerio e Luigi Dorico, 1568. RISM ID: 990001238.
Cycles: Animuccia, Giovanni, Canticum Beatae Mariae Virginis.

Antegnati 1608. Antegnati, Costanzo. L'Antegnata intauolatura de ricercari d'organo... Venezia: Angelo Gardano e fratelli, 1608. RISM ID: 990001269.
Cycles: Antegnati, Costanzo, Ricercari.

Arresti 1665. Arresti, Giulio Cesare. Sonate a 2, et a tre, opus 4. Venezia: [Francesco Magni], 1665. RISM ID: 990002487.
Cycles: Arresti, Giulio Cesare, Sonate opus 4.

Asola 1574. Asola, Giammateo. Le messe a quattro voci pari... sopra li otto toni della musica... Venezia: Figliuoli di Antonio Gardano, 1574. RISM ID: 990002511.
Cycles: Asola, Giammateo, Messe a quattro voci pari.

Asola 1575. Asola, Giammateo. Falsobordoni per cantar salmi. Venezia: Figliuoli di Antonio Gardano, 1575. RISM ID: 990002521.
Cycles: Asola, Giammateo, Falsi bordoni per cantar salmi.

Asola 1580. Asola, Giammateo. Il secondo libro delle Messe a quattro voci pari... composti sopra li toni rimanenti... Venezia: Figliuoli di Angelo Gardano, 1574. RISM ID: 991013217.
Cycles: Asola, Giammateo, Messe a quattro voci pari.

Asola 1581. Asola, Giammateo. Secundus liber in quo reliquae missae octonis compositae tonis... continentur. Venezia: Angelo Gardano, 1581. RISM ID: 990002544.
Cycles: Asola, Giammateo, Missae octonis compositae tonis.

Asola 1582. Asola, Giammateo. Psalmodia ad vespertinas omnium solennitatum horas octonis vocibus infractis decantanda. Venezia: Erede di Girolamo Scotto, 1582. RISM ID: 990002519.
Cycles: Asola, Giammateo, Psalmodia ad vespertinas omnium solennitatum horas octonis vocibus infractis decantanda.

Asola 1586. Asola, Giammateo. Missae octonis compositae tonis, quarum quatuor... in hoc primo libro... continentur... Venezia: Giacomo Vincenti; Ricciardo Amadino, 1586. RISM ID: 990002565.
Cycles: Asola, Giammateo, Missae octonis compositae tonis.
Reprint of a lost edition of c. 1580.

Aux-Cousteaux 1641. Aux-Cousteaux, Artus. Octo cantica Divae Mariae Virginis secundum octo modos seu tonos in templis decantari solitos... Paris: Robert Ballard, 1641. RISM ID: 990002882.
Cycles: Aux-Cousteaux, Artus, Octo cantica Divae Mariae virginis.

Aux-Cousteaux 1643. Aux-Cousteaux, Artus. Les quatrains de Mr Mathieu, mis en musique à trois parties selon l'ordre des douze modes. Paris: Robert Ballard, 1643. RISM ID: 990002883.
Cycles: Aux-Cousteaux, Artus, Les quatrains de Mr. Mathieu selon l’ordre des douze modes.

Aux-Cousteaux 1652. Aux-Cousteaux, Artus. Suite de la première partie des quatrains de Mr. Mathieu... selon l'ordre des douze modes. Paris: Robert Ballard, 1652. RISM ID: 990002884.
Cycles: Aux-Cousteaux, Artus, Les quatrains de Mr. Mathieu selon l’ordre des douze modes.

Aux-Cousteaux 1655. Aux-Cousteaux, Artus. Canticum Viginis Deiparae, iuxta octo ecclesiae tonos... Paris: Robert Ballard, 1655. RISM ID: 990002890.
Cycles: Aux-Cousteaux, Artus, Canticum Virginis Deiparae.

B-Bc 16698. Fuga & Praeambula. Ms. B-Bc 16698. RISM ID: 700000325.
Cycles: Anonymous, Praeambula (B-Bc 16698); Anonymous, Fugues (B-Bc 16698).

B-Bc 26621. Santini, Joseph Maria. Libro di Sonate d'Organo d'Intavolatura. Ms. B-Bc 26621. RISM ID: 702001580.
Cycles: Santini, Joseph Maria, Versetti per tutti i tuoni.

B-Bc MS 27087. BrusC 27087. Ms. B-Bc MS 27087. DIAMM ID: 1638.
Cycles: Clemens non Papa, Jacob, Magnificat (ii).

B-Br Ms II 3326 Mus. Kerckhoven, Abraham van den. [Verses]. Ms. B-Br Ms II 3326 Mus. RISM ID: 700008573.
Cycles: Kerckhoven, Abraham van den; et al., Versets (i); Kerckhoven, Abraham van den; et al., Versets (ii); Kerckhoven, Abraham van den; et al., Versets (iii).
Manuscript of verses by Abraham van den Kerckhoven and other composers, written around 1700. The edition presents a selection of these in a single 8-mode cycle. However, it appears from the original sequence of the verses (recorded in the edition) that they were ordered in at least three cycles.

Back 1790. Back, Konrad. Octitonium. Ms. D-OB MO 16. RISM ID: 450008607.
Cycles: Back, Konrad, Octotonium.

Banchieri 1605. Banchieri, Adriano. L'organo suonarino... opera terza decima. Venezia: Ricciardo Amadino, 1605. RISM ID: 990003777.
Cycles: Banchieri, Adriano, Salmi; Banchieri, Adriano, Falsi bordoni; Banchieri, Adriano, Magnificat; Banchieri, Adriano, Sonate.
Dedication signed in Venice, 20 October 1605. Banchieri 1611 and Banchieri 1638 are reprints of this work, but with considerable additions. The 8 modes and especially the psalm tones are discussed in the first part of the 'secondo registro' (pp. 39-59) and 'quarto registro' (pp. 89-105); the 12-mode system is mentioned only in passing. There are 4 cycles, 1 of 4-part sonatas and 3 sets of very short 2-part settings.

Banchieri 1614. Banchieri, Adriano. Cartella musicale nel canto figurato Fermo, & Contrapunto. Venezia: Giacomo Vincenti, 1614.
Cycles: Banchieri, Adriano, Dui degli otto toni ecclesiastici; Banchieri, Adriano, Dui degli dodici modi.
Earlier editions were printed in 1601 and 1610; these include considerably fewer materials; there are several later editions as well. The 8 plainchant modes ('tuoni ecclesiastici') are discussed on pp. 68-88 with a cycle of 2-part examples through the polyphonic psalm tones or psalm-tone keys (Powers 1980, p. 416). The 12-mode system is exemplified by another cycle, with an explanation of how these relate to the 8 tones, on pp. 111-36.

Baziavelli 1668. Bazziavelli, A.-R.-D.-Z.. Missarum octo brevium facilium suavium quae ad quinque voces in singulis tonis redactae nunc in Germania prodierunt cum basso ad organum. Köln: Johann Wilhelm Friess, 1668. RISM ID: 990004238.
Cycles: Bazziavelli, A.R.D.Z., Missae octo breves.

Belli 1605. Belli, Giulio. Compieta, Mottetti, & Letanie della Madonna A Otto Voci. Falsi bordoni sopra li otto toni... Venezia: Angelo Gardano, 1605. RISM ID: 990004561.
Cycles: Belli, Giulio, Falsi bordoni sopra li otto toni.
Dedication signed in Venice, 1 March 1605.

Berardi 1675. Berardi, Angelo. Psalmi vespertini quatuor vocibus concinendi cum organo ad libitum, una cum missa ad organi sonum accomodata ... opus octavum. Roma: Giovanni Angelo Muzi, 1675. RISM ID: 990004765.
Cycles: Berardi, Angelo, Psalmi vespertini una cum missa.

Berardi 1689. Berardi, Angelo. Miscellanea musicale. Bologna: Giacomo Monti, 1689.
Cycles: Berardi, Angelo, Essempii distinti delli 12 tuoni.
Written in Viterbo. Chaps. iii:6-12 discuss the modes of polyphony, with some reference to Classical and plainchant modes. Berardi employs the 12 modes for polyphony; they are illustrated by a cycle of short 4-part examples. Plainchant is however in 8 modes only (chap. i:4).

Bermudo 1555. Bermudo, Juan. Declaracion de inst[r]umentos musicales. Osuna: Juan de Leon, 1555.
Cycles: Bermudo, Juan, Cantus.
Book 1 already appeared in 1549 under the same title; it is considerably altered in the present edition. The discussion of modes is partly an elaboration of that in Bermudo 1550. Information about the 8 modes occurs in books 2-5, and goes often into considerable detail. Bermudo's approach is pseudo-classical, but of the ambitus types only mixture and commixture are fully elaborated (chap. iv:40). Plainchant modality is discussed in chaps. ii:14 and iii:14-18. Polyphonic modality occurs first in ch. ii:28, stating that beginning harpsichordists need only know modes 1, 4, 6 and 8 (a cyclus employing these modes only appears at the end of book 4). This knowledge apparently suffices for transposition (treated in chap. ii:29). In chap. iv:14, Bermudo attacks `algunos barbaros tañedores' who corrupt the mode by playing superfluous sharps and flats. Chaps. iv:18-40 give a full treatment for the organist in particular, discussing beginning, middle and end of the composition, and the 8 modes separately. Much attention is paid to change of mode, which includes transposition (there are 3 4-voice examples of rather far transpositions of modes), change of clef and signature (which changes the scale) and change of signature only (chaps. iv:36-40). Book 5 on composition contains information about the role of the modes (chaps. v:1-9, 15).

Bernabei 1690. Bernabei, Giuseppe Antonio. Canticum Beatissmae Virginis Mariae Quatuor Vocibus. Ms. D-Mbs , Mus.ms. 2753. RISM ID: 450306040.
Cycles: Bernabei, Giuseppe Antonio, Magnificat à 4.

Berti 1593. Berti, Carlo. Magnificat otto tonum quinque vocibus concinendi, adest etiam Magnificat supra Vestiva i colli... liber primus. Venezia: Angelo Gardano, 1593. RISM ID: 990004925.
Cycles: Berti, Carlo, Magnificat à 5.
Contains, in addition to a full Magnificat cycle, a Magnificat on Vestiva i colli

Beurhaus 1580. Beurhaus, Friedrich. Erotematum musicae libri duo. Nürnberg: Catharina Gerlach; Erben Johann Berg, 1580.
Cycles: Utendal, Alexander, Septem psalmi poenitentiales, adiunctis... orationibus... quinque, ad Dodecachordi modos duodecim.
Reprint of the first edition of 1573, the dedication of which was signed by the author in May 1573, presumably in Dortmund. This edition has a new dedication to the author by Johan Thomas Freig, who praises the book is described as useful work, though a treatment of the twelve modes is lacking. Freig recommends Beurhaus to study Utendal's psalm cycle. The eight monophonic modes are discussed in chap. ii:3, which contains at the end advice about the use of modal affect in polyphony. Chap. ii:5 mentions the tenor as the modally leading voice, determining the cadences in particular; it contains 2 psalm-tone settings from Agricola 1528 (cycle ???).

Biechteler 1723. Biechteler von Greiffenthal, Matthias Siegmund. 12 Preludii. [Ms., no location].
Cycles: Biechteler von Greiffenthal, Matthias Siegmund, Preludii.

Bodenschatz 1599. Bodenschatz, Erhard. Das schöne und geistreiche Magnificat der hochgelobten Jungfrauen Mariae..., sampt dem Benedicamus, &c. auff die zwölff modos musicales in ihrer natürlichen Ordnung unterschiedlich mit vier Stimmen gesetzt. Leipzig: Henning Gross, 1599. RISM ID: 990005981.
Cycles: Bodenschatz, Erhard, Magnificat.

Bona 1594. Bona, Valerio. Missa, et motecta ternis vocibus. Milano: Eredi di Francesco e Simone Tini, 1594. RISM ID: 990006162.
Cycles: Bona, Valerio, Falsi bordoni à 3.
Dedication signed in Vercelli, 29 October 1594. Contains a Magnificat in tone 6 and a cycle of falsibordoni.

Bona 1600. Bona, Valerio. Psalmi omnes ad vesperas per totum annum... unà cum duobus Magnificat extant etiam in fine omnium modorum per breves falsi bordoni. Quatuor vocibus. Venezia: Giacomo Vincenti, 1600. RISM ID: 990006163.
Cycles: Bona, Valerio, Falsi bordoni à 4.

Bonizzoni 1574. Bonizzoni, Eliseo. Delli Magnificat a quattro voci... Liber primus. Venezia: Figliuoli di Antonio Gardano, 1574. RISM ID: 990006232.
Cycles: Bonizzoni, Eliseo, Magnificat à 4.

Bononcini 1673. Bononcini, Giovanni Maria. Musico prattico. Bologna: Giacomo Monti, 1673.
Cycles: Bononcini, Giovanni Maria, Esempi in Duo (i); Bononcini, Giovanni Maria, Esempi in Duo (ii).
The Letter to the Reader says that the book was written for private use, a number of years before publication. There is a long list of authorities immediately preceding the main text. The author discusses the 12 modes of polyphony in chaps. ii:15-20, using Glarean's system and referring to Artusi 1598 and Zarlino 1558 as his sources. The 8-mode system is rejected for polyphony (ii:19), but it is used for plainchant (ii:21). In polyphony, only 7 modes are employed regularly (ii:17). The modes are also mentioned in chap. ii:6, where Bononcini recommends a sparing use of cadences outside the mode; and in chap. ii:10 on fugue and imitation. Here some examples are modally labelled; further, this chapter mentions authentic and plagal fugues, that is, with an ascending and a descending subject respectively.

Bononcini 1678. Bononcini, Giovanni Maria. Partitura de madrigali a cinque voci Sopra i dodici Tuoni, ò Modi del canto Figurato. Bologna: Giacomo Monti, 1678. RISM ID: 990006353.
Cycles: Bononcini, Giovanni Maria, Madrigali a cinque voci sopra i dodici tuoni.

Bournonville 1614. . Octo cantica Divae Mariae Virginis, quorum initium est Magnificat, secundum octo modos, seu tonos in templis decantari solitos. [n.p.]: [n.p.], 1614.
Cycles: Bournonville, Jean de, Magnificat secundum octo modos.

Bournonville 1625. Bournonville, Jean de. Octo cantica virginis matris quae vulgo Magnificat dicuntur. Paris: Pierre Ballard, 1625.
Cycles: Bournonville, Jean de, Octo cantica virginis matris quae vulgo Magnificat dicuntur.

Boyleau 1566. Boyleau, Simon. Modulationes in Magnificat ad omnes tropos... Milano: Cesare Pozzo, 1566. RISM ID: 990006813.
Cycles: Boyleau, Simon, Magnificat; Boyleau, Simon, Falsi bordoni.

Boyvin 1690. Boyvin, Jacques. Premier livre d'orgue contenant les huit tons à l'usage ordinaire de l'église. Paris: Henri de Baussen; Le Maire, 1690. RISM ID: 990006823.
Cycles: Boyvin, Jacques, Premier livre d’orgue.

Boyvin 1700. Boyvin, Jacques. Second livre d'orgue contenant les huit tons à l'usage ordinaire de l'église. Paris: Christophe Ballard, 1700. RISM ID: 990006825.
Cycles: Boyvin, Jacques, Second livre d’orgue.

Bruceña 1620. Bruceña, Diego de. Libro de canto de misas, magnificas y motetes y una salue. Salamanca: Susaña Muñoz Vidua; Antonio Vasquez, 1620.
Cycles: Bruceña, Diego de, Magnificat.

Burgdorff 1581. Burgdorff, Zacharias. Magnificat canticum Beatissimae Virginis Mariae quinque vocibus per octo tonos. Magdeburg: Andreas Gehen, 1581. RISM ID: 990007600.
Cycles: Burgdorff, Zacharias, Magnificat.

CH-SAf MusSAf.Ms.1249. [keyboard pieces]. Ms. CH-SAf MusSAf.Ms.1249. RISM ID: 400007243.
Cycles: Anonymous, Keyboard pieces (CH-SAf MusSAf.Ms.1249) (i); Anonymous, Keyboard pieces (CH-SAf MusSAf.Ms.1249) (ii); Anonymous, Keyboard pieces (CH-SAf MusSAf.Ms.1249) (iii).
Manuscript of unknown date, most likely 19th century, containing three cycles of keyboard pieces, nearly all of them anonymoous

Cabezon 1578. Cabezón, Antonio de. Obras de musica para tecla arpa y vihuela... Madrid: Francisco Sanchez, 1578. RISM ID: 990007799.
Cycles: Cabezón, Antonio de, Obras de a quatro; Cabezón, Antonio de, Favordones de todos los ocho tonos; Cabezón, Antonio de, Versos de magnificat sobre todos los ochos tonos; Cabezón, Antonio de, Quatro Kiries de cada tono.

Canale 1601. Canale, Floriano. Ricercari di tutti li tuoni con una battaglia alla francese a quattro voci... Venezia: Giacomo Vincenti, 1601. RISM ID: 990008533.
Cycles: Canale, Floriano, Ricercari di tutti li tuoni.
One of the 4 part-books is lost.

Canciones c. 1701. Canciones francesas, de todos ayres, para todos los instrumentos... puestas per el orden de los tonos... Madrid: Imprenta de Musica, c. 1701.
Cycles: Philidor, André Danican; et al., Canciones francesas.

Cangiasi 1590. Cangiasi, Giovanni Antonio. Li ariosi Magnificat. Milano: Francesco Tini, 1590. RISM ID: 1000000055.
Cycles: Cangiasi, Giovanni Antonio, Li ariosi Magnificat.

Canticum 1553. Canticum Beatae Mariae Virginis... secundum octo canendi modos... Paris: Nicholas du Chemin; Claude Goudimel, 1553. RISM ID: 993120077.
Cycles: Chemin, Nicholas du; Claude Goudimel, Canticum Beatae Mariae Virginis.

Canticum 1557. Canticum Beatae Mariae Virginis quod Magnificat inscribitur octo modis a diversis auctoribus compositum. Paris: Adrian Le Roy; Robert Ballard, 1557. RISM ID: 1000000566.
Cycles: Le Roy, Adrien, and Robert Ballard, Canticum Beatae Mariae Virginis quod Magnificat inscribitur.

Capece 1616. Capece, Alessandro. Octo Magnificat, in singulis tonis, quaternis vocibus concinendis. Roma: Bartolomeo de Zannetti, 1616. RISM ID: 990008650.
Cycles: Capece, Alessandro, Octo Magnificat in singulis tonis.

Carpentras c. 1537. Carpentras. Liber Cantici Magnificat Omnium Tonorum... [Avignon]: [Jean de Channey], c. 1537. RISM ID: 990020767.
Cycles: Carpentras, Magnificat.

Cavaccio 1581. Cavaccio, Giovanni. Magnificat omnitonum. Venezia: Angelo Gardano, 1581. RISM ID: 990009197.
Cycles: Cavaccio, Giovanni, Magnificat (i).

Cavaccio 1582. Cavaccio, Giovanni. Liber secundus Magnificat omnitonorum. Venezia: Angelo Gardano, 1582. RISM ID: 990009198.
Cycles: Cavaccio, Giovanni, Magnificat (ii).

Cavaccio 1585. Cavaccio, Giovanni. Psalmorum quaternis vocibus toto anni tempore. Venezia: Angelo Gardano, 1585. RISM ID: 990009199.
Cycles: Cavaccio, Giovanni, Octo Gloria patri.

Cavalliere 1634. Cavalliere, Giovanni Filippo. Il scolaro principiante di musica. Napoli: Matteo Nucci, 1634.
Cycles: Cavalliere, Giovanni Filippo, Falsi bordoni a 4.
Reprinted in 1639. Discusses the 8 modes of plainchant, and contains an incomplete cycle of falsi bordoni.

Cecchino 1617. Cecchino, Tomaso. Otto messe brevi, facili, et ariose appropriate per cantare nell'Organo a quattro voci pari composte sopra li otto toni della Musica. Venezia: Giacomo Vincenti, 1617. RISM ID: 990001571.
Cycles: Cecchino, Tomaso, Messe brevi, facili et ariose.

Cerone 1613. Cerone, Pietro. El melopeo y maestro. Napoli: Giovanni Battista Gargano; Lucrezio Nucci, 1613.
Cycles: Cerone, Pietro, Exemplos en los motetes; Cerone, Pietro, Exemplos en los psalmos.
Completed in Naples, 1608. There are many borrowings from other texts; many sources are listed at the end of book 2. The eight plainchant modes are discussed in book 3 and 5; the conventional 12-mode system is applied to polyphonic composition in book 16 (pp. 873-935), but Zarlino's renumbering is also discussed (p. 932). The main sources of book 16 are Pontio 1588 and Zarlino 1558, but with many additions. Book 16 contains two cycles (after Pontio) and mentions c. 100 compositions. There are some remarks on polyphonic modality in other books as well, notably book 12.

Cerreto 1601. Cerreto, Scipione. Della prattica musica vocale, et strumentale. Napoli: Giovanni Giacomo Carlino, 1601.
Cycles: Cerreto, Scipione, Otto salmodie in musica figurata.
Dedication signed Naples, 27 October 1601. Book 2 (pp. 92-152) is on the 8 modes, rejecting the 12-mode system. There is some discussion of classical origins, and much of plainchant modality with a cycle of 4-part falsobordoni at the end. Book 3 and 4 contain some remarks on polyphonic application of the modes, with several short examples.

Cerreto 1631. Cerreto, Scipione. Dialogo armonico. Ms. BolC C131.
Cycles: Cerreto, Scipione, Antifone.
Second version of the Dialoghi harmonici of 1626. 8-mode theory on fols. 103-9; 12-mode theory is again rejected, for instance in the poem on fol. 104v. The treatment of counterpoint includes a polyphonic setting of an antiphon for each mode (fols. 32-39).

Chaumont 1695. Chaumont, Lambert. Pieces D'orgue sur les 8 Tons. Liège: Danielis, 1695. RISM ID: 991015577.
Cycles: Chaumont, Lambert, Pièces d’orgues sur les huit tons.
Collection of organ suites followed by a short treatise on accompaniment and instructions for tuning the harpsichord.

Cifra 1619a. Cifra, Antonio. Ricercari e canzoni franzese... libro primo. Roma: Luca Antonio Soldi, 1619. RISM ID: 990009668.
Cycles: Cifra, Antonio, Ricercari (i).

Cifra 1619b. Cifra, Antonio. Ricercari et canzoni franzese... libro secondo. Roma: Luca Antonio Soldi, 1619. RISM ID: 990009669.
Cycles: Cifra, Antonio, Ricercari (ii); Cifra, Antonio, Canzoni franzese.

Cinquiesme livre 1538. Cinquiesme livre contenant xxviij. Chansons nouvelles a quatre parties en ung volume et en deux . Paris: Pierre Attaingnant; Hubert Jullet, 1538. RISM ID: 993104202.
Cycles: Attaingnant, Pierre, Cinquiesme livre de chansons nouvelles (i).
Reprinted, altered, as Cinquiesme 1540

Cinquiesme livre 1540. Cinquiesme livre contenant xxv. Chansons nouvelles a quatre parties en ung volume et en deux . Paris: Pierre Attaingnant; Hubert Jullet, 1540. RISM ID: 993104271.
Cycles: Attaingnant, Pierre, Cinquiesme livre de chansons nouvelles (ii).
Altered reprint of Cinquiesme 1538

Cochlaeus 1511. Cochlaeus, Johannes. Tetrachordum musices. Nürnberg: Johannes Stuchssen, 1512.
Cycles: Cochlaeus, Johannes, Tonorum psalmodiae.
Dedication to the first treatise signed `in our school' (in Nuremberg), 24 June 1511, that to the fourth treatise on 11 July 1511. Based on Cochlaeus 1507 and earlier; reprinted several times. The third treatise is on the modes. Cochlaeus mentions on fol. c2r the upward transposition of a fourth of the modes in polyphony. 4-part settings of psalm tones 1-5 are printed on fols. f1v-f2r.

Coclico 1552. Coclico, Adrianus Petit. Compendium musices. Nürnberg: Johann Berg; Ulrich Neuber, 1552.
Cycles: Coclico, Adrian Petit, Exempla.
Probably written in Nuremberg. The prologue to the youth of that city already asserts the importance of the modes for polyphonic composition. The chapter on the modes (fols. d1r-f1v), while belonging to part 1 on plainchant, opens with a similar statement; it further describes the finals, transpositions and reciting notes. In addition to the psalm tone, a number of canons are printed for each mode. In part 2 on polyphony, one counterpoint example carries a modal designation (fol. k3v). The composer must observe the modes in polyphony, particularly in the tenor (fol. m4r).

Colin 1541. Colin, Pierre. Liber octo missarum... motettos... parthenica cantica... Lyon: Jacques Moderne, 1541. RISM ID: 990010718.
Cycles: Colin, Pierre, Magnificat.

Colombani 1583. Colombani, Oratio. Li dilettevoli Magnificat composti sopra li otto toni a nove voci... Venezia: Giacomo Vincenti; Ricciardo Amadino, 1583. RISM ID: 990010828.
Cycles: Colombani, Oratio, Magnificat.

Colombani 1585. Colombani, Oratio. Completorium et... falsi bordoni, sex ordinibus distinctae, quinis vocibus super octo tonos decantandae. Brescia: Tomaso Bozzola, 1585. RISM ID: 990010830.
Cycles: Colombani, Oratio, Falsibordoni.

Conforti 1601. Conforti, Giovanni Luca. Salmi passaggiati sopra tutti i toni... libro primo. Roma: Eredi di Nicolo Mutii, 1601. RISM ID: 990010902.
Cycles: Conforti, Giovanni Luca, Salmi passaggiati sopra tutti i toni (soprano).

Conforti 1602. Conforti, Giovanni Luca. Salmi passaggiati sopra tutti i toni... libro secondo. Roma: Eredi di Nicolo Mutii, 1602. RISM ID: 990010902 (?).
Cycles: Conforti, Giovanni Luca, Salmi passaggiati sopra tutti i toni (tenore).

Conforti 1603. Conforti, Giovanni Luca. Salmi passaggiati sopratutti i toni... libro terzo. Roma: Eredi di Nicolo Mutii, 1603. RISM ID: 990010902 (?).
Cycles: Conforti, Giovanni Luca, Salmi passaggiati sopra tutti i toni (basso).

Contino 1571. Contino, Giovanni. Magnificat... liber primus. Ferrara: Francesco Rossi, 1571. RISM ID: 990010941.
Cycles: Contino, Giovanni, Magnificat.

Cornet 1581. Cornet, Séverin. Cantiones musicae 5. 6. 7. et 8. Vocum. Antwerpen: Christopher Plantin, 1581. RISM ID: 990011321.
Cycles: Cornet, Séverin, Cantiones musicae.

Corradini 1615. Corradini, Nicolò. Ricercari a quattro voci. Venezia: Bartolomeo Magni, 1615. RISM ID: 990011330.
Cycles: Corradini, Nicolò, Ricercari.

Correa de Arauxo 1626. Correa de Arauxo, Francisco. Libro de tientos y discursos de música practica, y theoretico de organo intitulado Facultad organistica... Alcalá de Henares: Antonio Arnao, 1626. RISM ID: 990011332.
Cycles: Correa de Arauxo, Francisco, Tientos.

Corrette 1737. Corrette, Michel. Premier livre d'orgue contenant quatre Magnificat... Oeuvre XVI. [Paris]: [Michel Corrette; La Veuve Boivin; Jean-Pantaléon Leclerc], 1737. RISM ID: 990011360.
Cycles: Corrette, Michel, Pieces d'orgue.

Corrette 1750. Corrette, Michel. IIe Livre de pièces d'orgue... Oeuvre XXVI. Paris: auteur; Mme Boivin; Le Clerc; Mlle Castagnery, 1750. RISM ID: 990011400.
Cycles: Corrette, Michel, Pieces d'orgue.

Croce 1596. Croce, Giovanni. Li sette sonnetti penitentiali. Venezia: Giacomo Vincenti, 1596. RISM ID: 990011833.
Cycles: Croce, Giovanni, Sonnetti penitenziali.

Croce 1599. Croce, Giovanni. Septem psalmi poenitentiales sex vocum. Nürnberg: Paul Kauffmann, 1599. RISM ID: 990011834.
Cycles: Croce, Giovanni, Sonnetti penitenziali.

Croce 1605. Croce, Giovanni. Magnificat, omnium tonorum, cum sex vocibus. Venezia: Giacomo Vincenti, 1605. RISM ID: 990011811.
Cycles: Croce, Giovanni, Magnificat omnium tonorum.

Croce 1608. Croce, Giovanni. Musica Sacra: to sixe voyces. Composed in the Italian tongue ... newly Englished. London: Thomas Este; the assigne of William Barley, 1608. RISM ID: 990011836.
Cycles: Croce, Giovanni, Sonnetti penitenziali.

Crüger 1626. Crüger, Johannes. Newen Deutsche Magnificat mit 8. vnd 2. Stimmen auff vnterschiedene Compositiones, nach den 8. gebräuchlichen Tonis Musicis gerichtet. Berlin: Martin Guth, 1626. RISM ID: 990011902.
Cycles: Crüger, Johannes, Meine Seel' erhebet den Herren.

Crüger 1630. Crüger, Johannes. Synopsis musica. Berlin: Johann Kall, 1630.
Cycles: Crüger, Johannes, Exempla.
Dedication signed in Berlin, 8 September 1629. Second, altered edition appeared in 1654. The 12 modes are discussed in chap. 11; the 2 modes on B are rejected. The order is Zarlino's new one, beginning on C, but Glarean's names are retained. Modes are formed by a double division of the octave, and the regular cadences are on the three main notes, final, third and fifth. All this appears to derive from Calvisius's writings. Cadences are further discussed in chap. 15, with 20 4-part examples as illustrations. Chap. 16 mentions the observation of mode in imitation.

Crüger 1645. Crüger, Johannes. Laudes Dei Vespertinae, in... ecclesiarum Marchicarum usum concinnatae ad diversos modos musicos 4. & 5. vocibus. Berlin: Martin Guth, 1645. RISM ID: 990011903.
Cycles: Crüger, Johann, Magnificat; Crüger, Johann, Falsibordoni.
May contain a cycle of Magnificats and one of falsibordoni

Crüger 1654. Crüger, Johannes. Synopsis musica. Berlin: the author; Christoph Runge, 1654.
Cycles: Crüger, Johannes, Exempla.
Revised edition of Crüger 1630; text mainly in Latin, with some paragraphs in German. The dedication carries no date or place. The treatment is rather similar to the earlier edition, but the traditional order of the 12 modes is preferred. The examples are moved to chap. 11, and there are 4-voice cadences (not whole pieces) in chap. 15 on cadencing.

D-As Tonk Schl 20. Morales, Cristóbal de. Canticum Beatis: Virginis Mariae Quatuor vocum. Ms. D-As Tonk Schl 20. RISM ID: 1001153195.
Cycles: Morales, Cristóbal de, Magnificat; Monte, Philippe de, Magnificat; Cavaccio, Giovanni, Magnificat (ii); Gastoldi, Giovanni Giacomo, Magnificat (i); Lechner, Leonhard, Sanctissimae Virginis Mariae Canticum.

D-As Tonk Schl 24. Vespertina maiorum solemnita tum psalmodia quatuor et quinque vocum decantanda. Ms. D-As Tonk Schl 24. RISM ID: 1001157399.
Cycles: Anonymous, Omnia Laudate (D-As Tonk Schl 240).

D-B Mus.ms. 1220. Peyer, Johann Baptist. Preambuli e Fughe. Ms. D-B Mus.ms. 1220. RISM ID: 452003139.
Cycles: Peyer, Johann Baptist, Preambuli e fughe.

D-B Mus.ms. 12837/2. Leo, Leonardo. Studio di Contropunto con li canti fermi a due, a tre, ed a quattro Voci della scuola del Sigr D. Leonardo Leo. Ms. D-B Mus.ms. 12837/2 . RISM ID: 452001028.
Cycles: Leo, Leonardo, Fughe à 2.
Contains a 2-voice cycle through the twelve modes. A few other examples are modally labelled but there seem to be no other cycles in the source

D-B Mus.ms. 13470. Mangon, Reichard. Canticum Canticorum Salomonis das ist: das hohe Lied Salomonis. In allen Tonis mit 4. 5. 6. 7. und 8. Stimmen, dem teutschen Text gemeß, componirt. Ms. D-B Mus.ms. 13470. RISM ID: 456014919.
Cycles: Mangon, Reichard, Canticum Canticorum Salomonis.
Score transcription of the original edition

D-B Mus.ms. 14632/1 Nr. 2. Monn, Matthias Georg. Preludj e Versetti per L'Organo. Ms. D-B Mus.ms. 14632/1 Nr. 2. RISM ID: 453501309.
Cycles: Monn, Mathias Georg, Preludi e versetti per l'organo.

D-B Slg Landsberg 214. Pasquini, Bernardo. Saggi di contrappunto. Ms. D-B Slg Landsberg 214. RISM ID: 464122834.
Cycles: Pasquini, Bernardo, Examples à 4; Pasquini, Bernardo, Duetti; Pasquini, Bernardo, Terzetti; Pasquini, Bernardo, Contrappunti.

D-BEU Mus-Ms 145. Organaedium utilissum continens in se diversa genera versuum fugarum tocatarum ac ariarum â diversis authoribus compositarum. Ms. D-BEU Mus-Ms 145. RISM ID: 1001322047.
Cycles: Anonymous, Octo Toni in versibus brevibus; Wimmer, Joseph, Octo Toni in versibus Longioribus; Anonymous, Fugae per octo Tonos; Anonymous, Toccatae diversae per octo Tonos.

D-BEU Mus-Ms 172. Octitonium von Praeludien Fugen Fugetten und Versetten. Ms. D-BEU Mus-Ms 172. RISM ID: 1001296560.
Cycles: Anonymous, Octitonium von Praeludien, Fugen, Fugetten und Versetten.

D-BSstb C 39 2°. Praeambula q[ua]dam selectissima Diomedi, Caspari, aliorumq[ue] artificum p[rae]stantissimo[ru]m. Ms. D-BSstb C 39 2°. RISM ID: 1001001091.
Cycles: Adriaenssen, Emanuel, Praeludia.

D-Bhm RH 1131. [80 Keyboard pieces]. Ms. D-Bhm RH 1131. RISM ID: 1001100153.
Cycles: Anonymous, Praeambula and Toccatas (D-Bhm RH 1131).

D-CZu (unknown signature). Organ tablature. Ms. D-CZu (unknown signature).
Cycles: Scheidemann, Heinrich, Magnificat.
contains works by Scheidemann (Magnificats) and very likely others

D-DONk KLR SK Ms03. [98 sacred songs]. Ms. D-DONk KLR SK Ms03. RISM ID: 454501747.
Cycles: Anonymous, Dixit Dominus and Magnificat.
Content copied from Subsidium chorale , Würzburg 1749

D-Dl Mus.1-E-750. Sächsische Landesbibliothek - Staats- und Universitätsbibliothek (SLUB), Dresden (D-Dl)ShelfmarkMus.1-E-750. [Ms., no location]. RISM ID: 230009436.
Cycles: Crüger, Johannes, Meine Seel' erhebet den Herren.

D-Dl Mus.Löb.59. D-Dl Mus.Löb.59. Ms. D-Dl Mus.Löb.59. RISM ID: 211012505.
Cycles: Pinello di Ghirardi, Giovanni Battista, Benedicamus Domino.

D-Eu Esl IX 32. Palestrina, Giovanni Pierluigi da. Ricercari ossia Studi sopra li Toni (XII) IV Vocum. Ms. D-Eu , Esl IX 32. RISM ID: 450303542.
Cycles: Macque, Giovanni de (?), Ricercari ossia Studi sopra li Toni XII.
Copied from a manuscript in the Proske collection date 1835.

D-FÜS 180. Octo Magnificat per Omnes 8 Tonos. Ms. D-FÜS 180. RISM ID: 450042824.
Cycles: Anonymous, Octo Magnificat per omnes 8 Tonos (D-FÜS 180).

D-FÜS 232. VIII Magnificat, Secundum Octo Tonos Ecclesiasticos à Canto, Alto, Tenore, Baßo & Organo. Ms. D-FÜS 232. RISM ID: 450043010.
Cycles: Anonymous, Dixit Dominus (D-FÜS 232).

D-Ju MS 20. [manuscript of polyphony]. Ms. D-Ju MS 20. DIAMM ID: 1227.
Cycles: Compère, Loyset; et al., Magnificat (D-Ju MS 20).
Manuscript written by Petrus Alamire between 1512 and 1525. It was subsequently sent to Frederick the Wise of Saxony, in Wittenberg.

D-Ju MS 30. [Collection of liturgical music]. Ms. D-Ju MS 30. DIAMM ID: 1230.
Cycles: Anonymous, Gloria patri (D-Ju MS 30).
Manuscript copied in Wittenberg, probably between 1500 and 1520.

D-Ju MS 34. [Magnificat collection]. Ms. D-Ju MS 34. DIAMM ID: 1234.
Cycles: Anonymous, Magnificat (D-Ju MS 34).
Manuscript copied in Wittenberg, probably between 1500 and 1520.

D-KA Don Mus.Ms. 1484. [96 Keyboard pieces]. Ms. D-KA Don Mus.Ms. 1484. RISM ID: 453008518.
Cycles: Aymiller, Maria, Keyboard compositions.

D-KFm Mus. Ms. 44. Erbauliche Gesänge auf die wichtigsten Feyerlichkeiten der Katholischen Kirche aus Den beßten Liedersammlungen zusammen getragen. Ms. D-KFm Mus. Ms. 44. RISM ID: 453004059.
Cycles: Anonymous, Magnificat (D-KFm Mus. Ms. 44) (i); Anonymous, Magnificat (D-KFm Mus. Ms. 44) (ii).

D-Kl 4° Ms. Mus. 9/1. [no title]. Ms. D-Kl 4° Ms. Mus. 9/1. DIAMM ID: 1836.
Cycles: Heugel, Johannes, Magnificat (i); Heugel, Johannes, Magnificat (ii).

D-LEm PM 5218. Hassler, Hans Leo . Ricercaren u. 1 Canzon u. 1 Magnif. Ms. D-LEm PM 5218. RISM ID: 201004611.
Cycles: Hassler, Hans Leo, Ricercari.

D-LEu Thomaskirche Ms. 49/50. Raval, Sebastián. 281 Sacred songs. Ms. D-LEu Thomaskirche Ms. 49/50. RISM ID: 225009000.
Cycles: Walter, Johann, Fügen auff die acht Tonos à 3 (i); Walter, Johann, Fügen auff die acht Tonos à 3 (ii); Dietrich, Sixt, Magnificat octo tonorum; Walter, Johann, Fügen auff die acht Tonos à 2.
Manuscript dated c. 1558 according to RISM, but Walter's fugues seem to be dated 1542. It contains 27 canons in two and three parts, and the Vagans of a mass by Crecquillon. All canons but one carry a modal title. The three-part works are ordered in two cycles; the two-part ones are distributed over the whole collection and not in clear modal order.

D-MT Mus.ms. 243. [95 Keyboard pieces]. Ms. D-MT Mus.ms. 243. RISM ID: 454015130.
Cycles: Anonymous, Keyboard compositions (D-MT Mus.ms. 243).

D-MT Mus.ms. 244. [Preaeambula]. Ms. D-MT, Mus.ms. 244 . RISM ID: 454012624.
Cycles: Anonymous, Praeambula (D-MT Mus.ms. 244).

D-MT, Mus.ms. 276. Autor ignotus. Versetten in den Kirchentonarten. Ms. D-MT, Mus.ms. 276. RISM ID: 454013621.
Cycles: Anonymous, Versetten in den Kirchentonarten.
Manuscript copy of 1731 print (Mertz und Mayer, Augsburg)

D-Mbs Mus. MS 52. [Sacred compositions]. Ms. D-Mbs Mus. MS 52. RISM ID: 456051712.
Cycles: Senfl, Ludwig, Falsibordoni (i); Senfl, Ludwig, Falsibordoni (ii).
Manuscript dated between 1510-1525.

D-Mbs Mus.ms. 12607. Volgen Praeambula: Fuga : Versus: Toccatina: durch die acht Kürchen, dan ande Transponiert Vnd Vermischte Ton. Ms. D-Mbs Mus.ms. 12607. RISM ID: 455022240.
Cycles: Kiening, Maria Catharina , Keyboard pieces.

D-Mbs Mus.ms. 1581. [184 Keyboard pieces]. Ms. D-Mbs Mus.ms. 1581. RISM ID: 1001002223.
Cycles: Anonymous, Fantasiae; Anonymous, Organ magnificats (D-Mbs Mus.ms. 1581).

D-Mbs Mus.ms. 261. [Rottenbucher Orgelbuch]. Ms. D-Mbs Mus.ms. 261. RISM ID: 456012136.
Cycles: Hiebler, Gelasius, Praeambula.

D-Mbs Mus.ms. 2752. Bernabei, Giuseppe Antonio. Nunc dimittis servum tuum domine 4 vocum. Ms. D-Mbs Mus.ms. 2752. RISM ID: 450306049.
Cycles: Bernabei, Giuseppe Antonio, Nunc dimittis à 4.

D-Mbs Mus.ms. 4112. [100 keyboard pieces]. Ms. D-Mbs Mus.ms. 4112. RISM ID: 450100038.
Cycles: Anonymous, Praeambula (D-Mbs Mus.ms. 4112).

D-Mbs Mus.ms. 48. Liturgical compositions. Ms. D-Mbs Mus.ms. 48. RISM ID: 456051032.
Cycles: Lassus, Orlande de, Magnificat 5 vocum (ii).
Written c. 1590.

D-Mbs Mus.ms. 516. Lassus, Orlande de. Magnificat quatuor voc. Ms. D-Mbs Mus.ms. 516. RISM ID: 456051416.
Cycles: Lassus, Orlande de; et al., Falsibordoni.
Written in Munich, c. 1600.

D-Mbs Mus.ms. 6521. Haydn, Johann Michael. Cadenzen und Versetten in den 8 Kirchentonarten für die Orgel. Ms. D-Mbs Mus.ms. 6521. RISM ID: 455017016.
Cycles: Haydn, Johann Michael, Cadenzen und Versetten.

D-Mbs Mus.ms. 82. [Magnificat collection]. Ms. D-Mbs Mus.ms. 82. RISM ID: 456052286; DIAMM ID: 3902.
Cycles: Vaet, Jacob, Magnificat.
Copied in Salzburg, early 17th century.

D-Mbs Mus.ms. Mk 862. Antiphonarium de communi sanctorum secundum consuetudinem sanctae Romanae ecclesiae. Ms. D-Mbs Mus.ms. Mk 862. RISM ID: 456053466.
Cycles: Anonymous, Beatus vir; Anonymous, Laudate Dominum; Anonymous, Domine probasti me; Anonymous, Credidi propter.

D-Mbs, Mus.ms. Mk 1055. [Sacred compositions]. Ms. D-Mbs, Mus.ms. Mk 1055 . RISM ID: 456053504.
Cycles: Anonymous, Psalmi à 6 (D-Mbs, Mus.ms. Mk 1055).
Contains, besides 1 complete cycle, many liturgical works with a mode assignment, often in quasi-cyclical ordering.

D-MÜs SANT Hs 2097 (Nr. 1-7). Jannacconi, Giuseppe . 7 Salmi Dixit. Ms. D-MÜs SANT Hs 2097 (Nr. 1-7). RISM ID: 451014438.
Cycles: Anonymous, Ricercari viii sopra li toni; Jannacconi, Giuseppe, Dixit Dominus.

D-MÜs SANT Hs 3459. Sabbatini, Luigi Antonio. Dixit a 4. Pieno Sopra Tutti Toni del Canto Ecclesiastico. Ms. D-MÜs SANT Hs 3459. RISM ID: 451018536.
Cycles: Sabbatini, Luigi Antonio, Dixit... Sopra Tutti i Toni del Canto Ecclesiastico.

D-Nla G2/ Fen IV 2 224. Psalmi Hymni Responsoria Magnificat. [n.p.]: [n.p.], c. 1577. RISM ID: 1001047274.
Cycles: Anonymous, Psalmi aliquot ad octo musicae modos.

D-Rp A. R. 908-929. [Magnificat compositions]. Ms. D-Rp A. R. 908-929. DIAMM ID: 3642.
Cycles: Hollander, Christian, Magnificat.
Written around 1567-78, probably in Regensburg.

D-Rp A.Kap. Hs 4-1282. [Music for Vespers]. Ms. D-Rp A.Kap. Hs 4-1282. RISM ID: 1001337788.
Cycles: Anonymous, Psalmi à 4 (D-Rp A.Kap. Hs 4-1282); Anonymous, Magnificat (D-Rp A.Kap. Hs 4-1282); Anonymous, Psalmi à 5 (D-Rp A.Kap. Hs 4-1282).

D-Rp A.R. 774. Raselius, Andreas. Dodecachordi vivi in quo duodecim modorum musicorum exempla duodena. Ms. D-Rp A.R. 774. DIAMM ID: 3669.
Cycles: Raselius, Andreas, Dodecachordi vivi... exempla.

D-Rp C 89. [Te Deum and Falsobordoni]. Ms. D-Rp C 89.
Cycles: Anonymous, Falsibordoni à 7 (D-Rp C89).
Written in Southern Germany, in the beginning of the 17th century.

D-Rtt F.K.Mus. 76/I Abth.II. [49 sacred songs]. Ms. D-Rtt F.K.Mus. 76/I Abth.II. RISM ID: 450036236.
Cycles: Lassus, Orlande de (?), Psalmi; Anonymous, Psalmi (D-Rtt F.K.Mus. 76/I Abth.II) (i); Anonymous, Psalmi (D-Rtt F.K.Mus. 76/I Abth.II) (ii); Anonymous, Psalmi (D-Rtt F.K.Mus. 76/I Abth.II) (iii).
Manuscript containing multiple cycles of falsibordoni. The RISM entry seems incomplete: records are missing for pieces from fol 98v. The top record mentions: f.98v-100r: 4-stimmiges Falsibordoni ohne Text f.109v-112r: "Mathaeus Asula. Domine ad adjuvandum me. [C], A, T, B, 5., 6." f.112v-116r: "Falsi Bordoni. Ludovicj Viadani. C, A, T, B, 5."; ohne Text f.116v-132v: Falsibordoni ohne Text, eventuell von Viadana; alle sind 5-stimmig: C, A, T, B, 5., als Incipit immer C

D-Sl Cod. mus. I 2° 14. [Magnificat Settings]. Ms. D-Sl Cod. mus. I 2° 14. DIAMM ID: 3836.
Cycles: Hoyoul, Balduin, Magnificat.
Manuscript dated 1577.

D-Sl Cod. mus. I 2° 49. Mariale Vespertinum modis variis suavissimisque tonis exhibitum... Ms. D-Sl Cod. mus. I 2° 49. DIAMM ID: 2014.
Cycles: M., D., Magnificat; Vecchi, Orfeo, Falsibordoni.

D-Sl Cod. mus. I 2° 50. Vesperale. Ms. D-Sl Cod. mus. I 2° 50. DIAMM ID: 3845.
Cycles: Vecchi, Orfeo, Psalmi.
Manuscript dated 1626, written for the monastery of Zwiefalten.

D-W Cod. Guelf. 339 Mus. Hdschr. (Nr. 1-71). Pachelbel, Johann. 66 Magnificat... 2 Choralvorspiele Wilh. Hieronymus Pachelbel 1 Toccata - 1 Fuga Summa 70. Orgelstücke. Ms. D-W Cod. Guelf. 339 Mus. Hdschr. (Nr. 1-71). RISM ID: 451514549.
Cycles: Pachelbel, Johann, Magnificat fugues.
The 66 magnificat fugues are organised in two cycles.

D-WINtj 78. [Organ pieces]. Ms. D-WINtj 78. RISM ID: 450022194.
Cycles: Anonymous, Fantasias oder Versus.
Collection of 120 organ pieces in tablature. A number of works, including a weak modal cycle, ara modally labelled.

D-WRha Udestedt 1 a-b. Hochschule für Musik Franz Liszt, Hochschularchiv - Thüringisches Landesmusikarchiv (HSA - ThLMA), Weimar (D-WRha)ShelfmarkUdestedt 1 a-b. Ms. D-WRha Udestedt 1 a-b. RISM ID: 230008621.
Cycles: Crüger, Johannes, Meine Seel' erhebet den Herren.

Dal Pozzo 1600. Dal Pozzo, Vincenzo. Magnificat octo tonum cum sex vocibus duoque cum octo. Venezia: Ricciardo Amadino, 1600. RISM ID: 990052703.
Cycles: Dal Pozzo, Vincenzo, Magnificat octo tonum.

Daza 1576. Daza, Esteban. Libro de musica en cifras para Vihuela, intitulado el Parnasso... Valladolid: Diego Fernandez de Cordova, 1576. RISM ID: 991016975.
Cycles: Daza, Esteban, Fantasias.

Dedekind 1588. Dedekind, Henning. Dodekatonon musicum triciniorum novis iisdemque lepidissimis exemplis illustratum. Erfurt: Georg Baumann, 1588. RISM ID: 993120857.
Cycles: Dedekind, Henning, Dodekatonon musicum.

Degli Antonii. Degli Antoni, Pietro. Sonate e versetti per tutti li tuoni tanto naturali come trasportati per l'organo de rispondere al coro, opera nona. Bologna: Fratelli Silvani, 1712. RISM ID: 990013196.
Cycles: Degli Antonii, Pietro, Sonate e versetti per tutti li tuoni.

Degli Antonii 1676. Degli Antoni, Pietro. Sonate a violino solo... opera quarta. Bologna: Giacomo Monti, 1676. RISM ID: 990013190.
Cycles: Degli Antonii, Pietro, Sonate a violino solo.

Degli Antonii 1687. Degli Antoni, Giovanni Battista. Versetti per tutti li tuoni Tanto naturali, come transportati per l'Organo... opera seconda. Bologna: Giacomo Monti, 1687. RISM ID: 990013178.
Cycles: Degli Antonii, Giovanni Battista, Versetti per tutti li tuoni.
2 parts (melody and figured bass) in score

Degli Antonii 1690. Degli Antoni, Giovanni Battista. Ricercate a violino, e violoncello, o clavicembalo... opera quinta. Bologna: Gioseffo Micheletti, 1690. RISM ID: 990013183.
Cycles: Degli Antonii, Giovanni Battista, Ricercate.

Degli Antonii 1696. Degli Antoni, Giovanni Battista. Versetti da organo per tutti li tuoni... opera settima. Bologna: Carlo Maria Fagnani, 1696. RISM ID: 990013185.
Cycles: Degli Antonii, Giovanni Battista, Versetti da organo per tutti li tuoni.

Della Ciaia 1727. Della Ciaia, Azzolino Bernardino . Sonate per cembalo con alcuni Saggi, ed altri contrapunti di largo, e grave stile Ecclesiastico. Roma: [n.p.], 1727. RISM ID: 990013240.
Cycles: Della Ciaia, Azzolino Bernardino, Saggi per organo.

Demantius 1602. Demantius, Christoph. Trias precum vespertinarum, qua continentur: canticum B. Mariae Virginis, intonationes cum psalmis, et... Benedicamus... et ad octo usitatos tonos: & ad duodecim modos musicos... Nürnberg: Conrad Agricola; Catharina Dietrich, 1602. RISM ID: 990013372.
Cycles: Demantius, Christoph, Magnificat et Benedicamus à 4; Demantius, Christoph, Magnificat et Benedicamus à 6; Demantius, Christoph, Magnificat et Benedicamus à 5.

Demantius 1610. Demantius, Christoph. Corona harmonica, Auserlesene Sprüch aus den Evangelien... mit sechs Stimm nach den zwölff modis musicis... Leipzig: Abraham Lamberg, 1610. RISM ID: 990013375.
Cycles: Demantius, Christoph, Corona harmonica.

Dietrich 1535. Dietrich, Sixt. Magnificat octo tonorum... liber primus. Strasbourg: Peter Schöffer; Mathias Apiarius, 1535. RISM ID: 990014783.
Cycles: Dietrich, Sixt, Magnificat octo tonorum.

Diruta 1609. Diruta, Girolamo. Seconda parte del Transiluano dialogo diuiso in quattro libri. Venezia: Alessandro Vincenti, 1622. RISM ID: 990014898.
Cycles: Diruta, Girolamo, Ricercari; Diruta, Girolamo, Inni; Diruta, Girolamo, Magnificat; Diruta, Girolamo, Duo.
Dedication signed in Gubbio, 25 March 1610, which seems to contradict the date on the title page. Four books about intabulation and composition for the organist. Book 3 is on the modes, and contains a short treatment of the 12 modes that is a condensation of information from Zarlino 1558. Diruta attaches particular importance to the direction of melody as a modal characteristic. Book 4 contains examples of hymn and magnificat settings in all available modes, and some text on the plainchant modes. An appendix to book 4 lists organ registrations for each mode (p. 22).

Dixiesme livre 1541. Dixiesme livre contenant xxviii. Chansons nouvelles a quatre parties en ung volume et en deux. Paris: Pierre Attaingnant; Hubert Jullet, 1541. RISM ID: 993104319.
Cycles: Attaingnant, Pierre, Dixhuytiesme livre de chansons nouvelles; Attaingnant, Pierre, Dixiesme livre de chansons nouvelles.

Dixseptiesme livre 1545. Dixseptiesme livre contenant xix. Chansons legeres tres musicales nouvelles a quatre parties, en deux volume,. Paris: Pierre Attaingnant, 1545. RISM ID: 993104429.
Cycles: Attaingnant, Pierre, Dixseptiesme livre de chansons nouvelles.

Doni 1640. Doni, Giovanni Battista. Annotazioni sopra il Compendio de' Generi, e de Modi della Musica. Roma: Andrea Fei, 1640.
Cycles: Palestrina, Giovanni Pierluigi da, Le Vergini.
Dedication signed 15 January 1640. The first part contains annotations to Doni 1635; then follow two treatises and seven `discourses' on different aspects of ancient and modern modality. The first treatise is about the true modes -- the ancient ones -- and their use in modern compositions, which are often discussed in detail (pp. 75-177). The first discourse 'Dell'inutile osservanza de' Tuoni, ò Modi hodierni' (pp. 234-51) mentions madrigals from Palestrina's Le vergini as examples (pp. 250-51). The other parts do not discuss the application of the modes to polyphony.

Douziesme livre 1543. Douziesme livre contenant xxx. Chansons nouvelles a quatre parties, en deux volumes. Paris: Pierre Attaingnant; Hubert Jullet, 1543. RISM ID: 1001024780.
Cycles: Attaingnant, Pierre, Douziesme livre de chansons nouvelles.

Dressler 1561. Dressler, Gallus. Practica modorum explicatio. Jena: Donatus Richtzenhain, 1561.
Cycles: Dressler, Gallus, Practica modorum explicatio.
Dedication signed in Magdeburg, 26 Februari 1561. Set of partbooks; text in the tenor book only. Dressler restricts himself to the traditional 8 modes, though he knows Glarean 1547 and promises to discuss his system on another place (fol. b3v). The general part discusses definition, formation and number of modes, the recognition of the modes from beginning, middle (ambitus and repercussion) and end, and transposition. The specific treatment of each mode gives the species, the ambitus and psalm tone formula, and ends with a polyphonic composition.

Dressler 1571. Dressler, Gallus. Musicae practicae elementa... Magdeburg: Wolfgang Kirchner, 1571.
Cycles: Utendal, Alexander, Septem psalmi poenitentiales, adiunctis... orationibus... quinque, ad Dodecachordi modos duodecim.
Dedication signed in Magdeburg, 1 May 1571. Schoolbook, discussing the modes in Glarean's ordering following the octave species (chaps. ii:4-8). Contains a presentation of of psalm-tones, species, finals, ambitus and transposition, but not of cadences. Yet, as a veiled reference to Utendal 1570 (fol. f6v) shows, the text is meant to apply to polyphony as well.

Dressler 1571. Dressler, Gallus. Magnificat octo tonorum. Magdeburg: Wolfgang Kirchner, 1571. RISM ID: 990015279.
Cycles: Dressler, Gallus, Magnificat 8 tonorum.

E-Bbc M 454. Cancionero musical de Barcelona. Ms. E-Bbc M 454. RISM ID: https://www.diamm.ac.uk/sources/1530.
Cycles: Anonymous, Falsibordoni (E-Bbc M 454).
Manuscript of Spanish origin, compiled during the early 16th century.

E-Bbc M. 1612. Valls, Francesc. E-Bbc M. 1612 . Ms. E-Bbc M. 1612. RISM ID: 100500001.
Cycles: Valls, Francisco , Missae.
Manuscript written in 1709

E-Bbc M. 90. E-Bbc M. 90. Ms. E-Bbc M. 90. RISM ID: 100501114.
Cycles: Valls, Francisco, Magnificat à 8.
Manuscript containing 17 Magnificats, including a cycle by Francisco Valls

E-Boc MS 37. López, Miguel. Obras. Ms. E-Boc MS 37 (?).
Cycles: López, Miguel, Versos para la psalmodia; López, Miguel, Otros versos para la psalmodia; López, Miguel, Otros versos, para diferenciar en estos ocho términos, od Modos.
Manuscript of keyboard compositions. The oldest entries are dated 1696, the newest 1720.

E-C 134. Libro de polifonía 134. Ms. E-C 134.
Cycles: Mesa, Jacinto Antonio de, Magnificat.

E-CALs Ms. 5. [none]. Ms. E-CALs Ms. 5.
Cycles: Anonymous, Magnificat (E-CALs Ms. 5).

E-GRcr 04. Libro de vísperas. Ms. E-GRcr 04.
Cycles: Anonymous, Magnificat (E-GRcr 04).

E-LUc 1. [Magnificat collection]. Ms. E-LUc 1.
Cycles: Anonymous, Magnificat (E-LUc 1).

E-MO 0892. Cererols, Joan. [Missae]. Ms. E-MO 0892.
Cycles: Cererols Fornells, Joan, Missae.
Title page and index of a manuscript, the content of which is lost

E-MO MS 769. Magnificas de diferentias autores. Ms. E-MO MS 769. DIAMM ID: 2176.
Cycles: Anonymous, Magnificats (E-MO MS 769).

E-Mn M/02428. López Capillas, Francisco. [Misas y Magnificat]. Ms. E-Mn M/02428.
Cycles: López Capillas, Francisco, Magnificat.

E-Mn M/1735. López, Félix Máximo. Juego de Versos de todos los tonos por la cuerda de Gesolreut. Ms. E-Mn M/1735. RISM ID: 1001313759.
Cycles: López, Félix Máximo, Juego de Versos de todos los tonos por la cuerda de Gesolreut.

E-Mn M/812. Elías, José. [Collection of versets]. Ms. E-Mn M/812. RISM ID: 1001320157.
Cycles: Elías, José, Versos; Elías, José, Versos para psalmodia.
Dated 1717.

E-Mn Sección de Música. MS M. 2433. Gombert, Nicolas. Canticum Beatae Mariae Virginis Deiparae iuxta octo tonos modulatum... Ms. E-Mn Sección de Música. MS M. 2433. DIAMM ID: 2137.
Cycles: Gombert, Nicolas, Magnificat.
Manuscript written in Liège, Belgium. 1552

E-ORIc 03. Liber Musicae Harmonicae, Psalmos Vesperarum, Canticum Magnificat per omnes tonos. Hymnum Te Deum necnon et Antophonam Salve Regina continens. Ms. E-ORIc 03.
Cycles: Sart, Joseph, Magnificat.

E-SC LP3. E-SC LP3. Ms. E-SC LP3. RISM ID: 100015216.
Cycles: Anonymous, Missae (E-SC LP3).

E-TUY 2. [Magnificat collection]. Ms. E-TUY 2.
Cycles: Morales et al., Magnificat.

E-TZ 13. [Ms. 13]. Ms. E-TZ 13.
Cycles: Anonymous, Magnificat (E-TZ 13).

E-Tc Ms. 6. [Collection of liturgical works]. Ms. E-Tc Ms. 6. DIAMM ID: 4737.
Cycles: Ribera, Bernardino, Magnificat.

E-V 03. Libro de polifonía Ms. 3. Ms. E-V 03.
Cycles: Anonymous, Magnificat (E-V 03).

E-VAc 11. Libro de polifonía 11. Ms. E-VAc 11.
Cycles: Anonymous, Magnificat (E-VAc 11).

E-VAcp LP 21. E-VAcp LP 21. Ms. E-VAcp LP 21. RISM ID: 100017135.
Cycles: Navarro, Francisco, Magnificat à 4.

E-ZAc LP 4. Libro de Misas y motetes de diferentes autores. Ms. E-ZAc LP 4. RISM ID: 100028675.
Cycles: Guerra, Misas.

E-Zac C-3 M 13. E-Zac C-3 M 13 . [Ms., no location]. RISM ID: 1001096910.
Cycles: Anonymous, Misas (E-Zac C-3 M 13).

E-Zac C-3 Ms 12. Serra, Luis. Canticum Magnificat ad octo tonos. Ms. E-Zac C-3 Ms 12. RISM ID: 1001087550.
Cycles: Serra, Luis, Magnificat ad octo tonos.

E-Zac [without shelfmark]. [8 Masses]. Ms. E-Zac [without shelfmark]. RISM ID: 1001091025.
Cycles: Serra, Luis, Masses.

Eberlin 1747. Eberlin, Johann Ernst. IX. Toccate e fughe per l'organo. Augsburg: Johann Jakob Lotters Erben, 1747. RISM ID: 1001150726.
Cycles: Eberlin, Johann Ernst, Toccate e fughe.

Eberlin c. 1830a. Eberlin, Johann Ernst. 115 Versetten und Cadenzen für die Orgel in den gewönlichen 8 Kirchen Tonarten. München: Falter; Sohn, c. 1826. RISM ID: 990016592, 1001297079.
Cycles: Eberlin, Johann Ernst, Versetten und Cadenzen.

Eberlin c. 1830b. Eberlin, Johann Ernst. 62 Vor- und Nach-Spiele, Versetten und Fugetten, für die Orgel, in den bekannten acht Kirchen-Tonarten. München: Falter; Sohn, c. 1830. RISM ID: 990016593, 653006397.
Cycles: Eberlin, Johann Ernst, Vor- und Nach-Spiele, Versetten und Fugetten.

Elías, BarBC 450. Elías, José. [Collection of keyboard works]. Ms. BarBC 450.
Cycles: Elías, José, Piezas.

Ertel 1615. Ertl, Sebastian. Sacrosanctum magnae et intemeratae virginis canticvm. Octonis vocibvs. Cum intonationibus psalmorum ad octo usitatos tonos duobus choris una cum clausula gloria patri &c. quà instrumentis, quà vivis vocibus cum duplici basso ad organum accomodato... München: Nikolaus Henricus, 1615. RISM ID: 990017160.
Cycles: Ertl, Sebastian, Falsi bordoni octo vocum; Ertl, Sebastian, Sacrosanctum magnae et intemeratae virginis canticum.

Esquivel Barahona 1613. Esquivel Barahona, Juan. Liber secundus psalmorum, hymnorum, magnificarum. Salamanca: [n.p.], 1613.
Cycles: Esquivel Barahona, Juan, Magnificat (even); Esquivel Barahona, Juan, Magnificat (odd).
This collection, known to have existed at the end of the 19th century, is lost.

F-Pn L-8387. Di Donato, Antonio. Studio di Fughe... fatte sotto la direzione del Sigr D. Alessandro Speranza. Ms. F-Pn L-8387. RISM ID: 840014301.
Cycles: Di Donato, Antonio, Fughe.

Faber 1607. Faber, Stephan. Cantiones aliquot sacrae trium vocum, juxta duodecim modorum seriem. Nürnberg: David Kauffmann, 1607. RISM ID: 990017309.
Cycles: Faber, Stephan, Cantiones aliquot sacrae.

Falconio 1588. Falconio, Placido. Magnificat octo tonorum, primi versus... cum quatuor vocibus decantandi. Venezia: Angelo Gardano, 1588. RISM ID: 990017376.
Cycles: Falconio, Placido, Magnificat octo tonorum primi versus.

Fasolo 1645. Fasolo, Giovanni Battista. Annuale. Venezia: Alessandro Vincenti, 1645. RISM ID: 990017404.
Cycles: Fasolo, Giovanni Battista, Magnificat; Fasolo, Giovanni Battista, Ricercate; Fasolo, Giovanni Battista, Canzoni.
Collection of liturgical organ music, using the 8 modes and psalm-tones.

Felanitx 173. [Keyboard music]. Ms. Felanitx, Fundació Cosme Bauçà 173.
Cycles: Cabanilles, Juan; Froberger, Johann Jacob, Tientos i (Felanitx 173); Cabanilles, Juan, Tientos ii (Felanitx 173); Anonymous, Verses (Felanitx 173).
First of a set of 2 manuscripts, containing verses for tones 1-4 and 2 cycles of tientos

Felanitx 173bis. [Keyboard music]. Ms. Felanitx, Fundació Cosme Bauçà 173bis.
Cycles: Anonymous, Verses (Felanitx 173).
Second of a set of 2 manuscripts, containing verses for tones 5-8

Festa 1554. Festa, Costanzo. Magnificat, tutti gli otto tuoni, a Quatro Voce. Venezia: Girolamo Scotto, 1554. RISM ID: 990017877.
Cycles: Festa, Costanzo, Magnificat.

Fischer 1732. Fischer, Johann Caspar Ferdinand. Blumen Strauss aus dem anmuthigsten Kunst-Garten gesamlet, und in acht tonos ecclesiasticos... eingetheilet. Augsburg: Johann Christoph Leopold, 1732. RISM ID: 990018202.
Cycles: Fischer, Johann Caspar Ferdinand, Blumen Strauss.

FlorBN Magl. 106bis. [Collection of works by Neapolitan composers]. [Ms., no location].
Cycles: Macque, Giovanni de, Ricercari (FlorBN).

Flori 1599. Flori, Jacobus. Cantiones sacrae quinque vocum... quibus adiunctae sunt octo Magnificat secundum octo tonos... München: Adam Berg, 1599. RISM ID: 990018381.
Cycles: Flori, Jacobus, Magnificat.

Franco 1611. Franco, Hernando. Magnificat. Ms. Tepotzótlan, Viceregal Museum.
Cycles: Franco, Hernando, Magnificat.
Manuscript written in Mexico City, 1611.

Freig 1582. Freig, Johannes Thomas. Paedagogus. Basel: Sebastian Henricpetri, 1582.
Cycles: Utendal, Alexander, Septem psalmi poenitentiales, adiunctis... orationibus... quinque, ad Dodecachordi modos duodecim.
Schoolbook, surveying all school subjects, from rhetoric to economy. The section on music seems to be written by Conrad Stuberus. It treats the elements of music and the 12 modes. For each mode a number of compositions are mentioned; usually, one of its parts is reproduced. These compositions are by Othmayr, Senfl, Utendal and others.

Frescobaldi 1608. Frescobaldi, Girolamo. Il primo libro delle fantasie a quattro... Milano: Erede di Simone Tini; Filippo Lomazzo, 1608. RISM ID: 990019009.
Cycles: Frescobaldi, Girolamo, Fantasie.

Frescobaldi 1615. Frescobaldi, Girolamo. Recercari, et canzoni franzese fatte sopra diuersi oblighi in partitura. Roma: Bartolomeo de Zannetti, 1615. RISM ID: 990019014.
Cycles: Frescobaldi, Girolamo, Recercari.

Fuenllana 1554. Fuenllana, Miguel de. Libro de musica para vihuela, intitulado Orphenica lyra. Sevilla: Martin de Montesdoca, 1554. RISM ID: 990019241.
Cycles: Guerrero, Francisco, Los ocho tonos en fabordon; Fuenllana, Miguel de, Tientos.
Privilege dated 11 August 1553. The introduction contains a short discussion of the 8 modes (fols. 6v-7r).

Fugen 1848. Haydn, Joseph. 8 Fugen un 8 Praeludien über die 8 Kirchentöne. Ms. D-MT Mus.ms. 344. RISM ID: 454012632.
Cycles: Anonymous, 8 Fugen und 8 Praeludien.
Ascription to Haydn is considered spurious

Fux 1725. Fux, Johann Joseph. Gradus ad parnassum... Wien: Johann Peter Van Ghelen, 1725.
Cycles: Fux, Johann Joseph, Fugae.
No place or date mentioned in the prefatory material. There are numerous references to the modes connected with cantus firmus and imitation in Lectio 5 (pp. 143-279); fundamental discussion on pp. 221-31. Since there are only 6 species of the octave (pp. 143-44), there can only be six modes. Study of Zarlino, Bononcini and Berardi could not convince the author of the existence of significant differences between authentic and plagal compositions. The 6 modes are illustrated with a cycle of 3-part fugues (pp. 159-68); a number of other examples are also given a modal designation.

GB-Lbl Add. 31221. Pachelbel, Johann. [Fugues]. Ms. GB-Lbl Add. 31221. RISM ID: 806040717.
Cycles: Pachelbel, Johann, Magnificat fugues.

GB-Och Mus. 89. Organ pieces. Ms. GB-Och Mus. 89. RISM ID: 800228058.
Cycles: Anonymous, Magnificat for organ (i); Anonymous, Fantasias for organ (GB-Och Mus. 89) (i); Anonymous, Magnificat for organ (ii); Anonymous, Fantasias for organ (GB-Och Mus. 89) (ii).

Gabrieli 1583. Gabrieli, Andrea. Psalmi Davidici, qui Poenitentiales nuncupantur, tum omnis generis Instrumentorum, tum ad vocis modulationem accommodati. Sex vocum. Venezia: Angelo Gardano, 1583. RISM ID: 990019322.
Cycles: Gabrieli, Andrea, Psalmi Davidici qui Poenitentiales nuncupantur.

Gabrieli 1593. Gabrieli, Andrea; Gabrieli, Giovanni. Intonationi d'organo composte sopra tutti li Dodici Toni della Musica... Venezia: Angelo Gardano, 1593. RISM ID: 990019346.
Cycles: Gabrieli, Giovanni, Intonationi; Gabrieli, Andrea, Intonationi.

Gabrieli 1595. Gabrieli, Andrea. Ricercari... libro secondo. Venezia: Angelo Gardano, 1595. RISM ID: 990019347.
Cycles: Gabrieli, Andrea; Giovanni Gabrieli, Ricercari.

Galilei 1584. Galilei, Vincenzo. Fronimo dialogo... sopra l'arte del bene intavolare... Venezia: Erede di Girolamo Scotto, 1584.
Cycles: Galilei, Vincenzo, Ricercari per b; Galilei, Vincenzo, Ricercari per h.
Dedication signed in Florence, 30 April 1584. Second, enlarged edition; the first appeared in 1568 with the same publisher. The 12 modes are discussed on pp. 79-92. The main issue is their recognition. Accordingly, final and scale (b duro or molle) receive most attention. 2 madrigals are mentioned for each mode, one for each scale. There is also a cycle of 12 short ricercars for each scale; they are meant as a help to recognize the modes, and also as preludes.

Galli 1691. Galli, Domenico. Trattenimento musicale sopra il violoncello. [Ms., no location]. RISM ID: 850804319.
Cycles: Galli, Domenico, Sonate.

Gamer 1627. Gamer, Paul. Magni dei magnae matris Mariae canticum bifariam aequalibus vocibus binis & quaternis, quas basis continua sustinet, octoreceptis modis musicis seu tonis. Bamberg: Augustinus Crinesius, 1627. RISM ID: 990019542.
Cycles: Gamer, Paul, Magni dei magnae matris Mariae canticum.

Gastoldi 1588. Gastoldi, Giovanni Giacomo. Psalmi ad vesperas in totius anni solemnitatibus... Venezia: Ricciardo Amadino, 1588. RISM ID: 990019692.
Cycles: Gastoldi, Giovanni Giacomo, Magnificat (i).

Gastoldi 1597. Gastoldi, Giovanni Giacomo. Magnificat per omnes tonos, videlicet primus, & secundus chorus... quatuor vocibus. Venezia: Ricciardo Amadino, 1597. RISM ID: 990019700.
Cycles: Gastoldi, Giovanni Giacomo, Magnificat (ii).

Gaucquier 1574. Gauquier, Alard du. Magnificat octo tonorum, quatuor, quinque, et sex vocum... Venezia: Giorgio Angleri, 1574. RISM ID: 990019786.
Cycles: Du Gaucquier, Alard, Magnificat octo tonorum.

Gaultier c. 1650. Gaultier, Denis. La Rhetorique des Dieux. [Ms., no location].
Cycles: Gaultier, Denis, La rhétorique des dieux.
Manuscript compiled between 1648 and 1652 by a number of artists. It contains a cycle of lute pieces, formally in Zarlino's 12-mode system (with Dorian on C), although a number of modes are represented in an anomalous way. Each mode is preceded by a drawing by Abraham Bosse depicting its affect. There is no illustration for mode 8 and no music for mode 5. The prologue gives some explanation of the illustrations. The `Sonnet to the Book' mentions the 12 modes, and `Accords' for all modes were added in a later hand.

Gesius 1615. Gesius, Bartholomäus. Synopsis musicae practicae. Frankfurt an der Oder: Johann Eichorn, 1615.
Cycles: Gesius, Bartholomaeus, Fugae; Gesius, Bartholomaeus, Hymni in cantu regulari; Gesius, Bartholomaeus, Hymni in cantu transposito; Gesius, Bartholomaeus, Exercitia in cantu regulari; Gesius, Bartholomaeus, Exercitia in cantu transposito.
Contains a discussion of elementary 12-mode theory and multiple cycles.

Getzmann 1613. Getzmann, Wolfgang . Phantasiae sive cantiones mutae, ad duodecim modos figurales, tam autenticos quam plagales, naturales non transpositos, et transpositos, variis instrumentis musicis accommodatae, ex diversis demum musicae coryphaeis collectae... Frankfurt am Main: Nicolaus Steinius, 1613. RISM ID: 990020937.
Cycles: Getzmann, Wolfgang, Phantasiae sive cantiones mutae (i); Getzmann, Wolfgang, Phantasiae sive cantiones mutae (ii).
The preface gives a brief explanation of the modal ordering of the collection.

Gigault 1685. Gigault, Nicolas. Livre de musique pour l'orgue. Paris: the author, 1685. RISM ID: 990021200.
Cycles: Gigault, Nicolas, Livre de musique pour l’orgue.

Glarean 1547. Glarean, Heinrich. Δωδεκάχορδον. Basel: Heinrich Petri, 1547.
Cycles: Glarean, Heinrich, Duodecim modorum exempla; Glarean, Heinrich, De binorum Modorum connexione exempla.
Preface signed in Freiburg im Breisgau, 1547; the text was finished in 1539, the last music examples were added in 1540. The principal aim of the work is to introduce the 12-mode system, but there are several sections that concern other issues. The traditional 8 modes are discussed in chaps. i:11-15. In chaps. ii:1-27, the 12 modes are derived from the 7 octave species -- Glarean's ordering of the modes begins with Hypodorian, the first mode deriving from the first octave species A-a, and ends with Hypoionian, deriving from the seventh species g-g'. All examples in book 2 are monophonic, but there are a number of references to polyphonic works. The chapters which follow discuss exceptional ranges in terms of modal mixture (chaps. ii:28-35), displacement of the modal octave (chap. ii:36), and the species of fifth or fourth for melodies with a range that is smaller than an octave (chap. ii:37). The polyphonic application of the modes follows in chaps. iii:13-25, which is richly illustrated with printed compositions.

Goetting 1587. Goetting, Valentin. Compendium musicae modulativae. Erfurt: Georg Baumann, 1587.
Cycles: Goetting, Valentin, Fugae.
Dedicated to Friedrich Beurhaus. Contains a discussion of the 12 modes.

Goudimel 1551. Goudimel, Claude. Premier livre, contenant huyct Pseaulmes de David, traduictz par Clement Marot, et mis en musique au long (en forme de mottetz). Paris: Nicolas du Chemin, 1551. RISM ID: 990022281.
Cycles: Goudimel, Claude, Premier livre, contenant huyct Pseaulmes de David.

Goudimel 1559. Goudimel, Claude. Second livre de psalmes de David, mis en Musique au long (en forme de Motetz). Paris: Adrian Le Roy; Robert Ballard, 1559. RISM ID: 990022283.
Cycles: Goudimel, Claude, Second livre de psalmes de David.

Goudimel 1565. Goudimel, Claude. Sizieme liure de Pseaumes de Dauid. Paris: Adrian Le Roy; Robert Ballard, 1565. RISM ID: 990022287.
Cycles: Goudimel, Claude, Sizieme livre de pseaumes de David.

Gradenthaler 1672. Gradenthaler, Hieronymus. Musicalische Recreation Anderer Theil, Sonaten, Allemanden, Sarabanden und Giquen. In die 8. Tonos außgetheilt. Regensburg: Christoph Fischer, 1672. RISM ID: 990034658.
Cycles: Gradenthaler, Hieronymus, Musicalische Recreation Anderer Theil.

Grobe c. 1675. Grobe, Georg. Tabulaturbuch. [Ms., no location]. RISM ID: 201004530 (19th c. copy).
Cycles: Briegel, Wolfgang Carl, Fugen.
This source, written around 1675 by Georg Grobe, still existed in 1837, when it was copied into Ms. 15318 of the Musikbibliothek der Stadt Leipzig; it is now lost.

Guerrero 1563. Guerrero, Francisco. Canticum Beatae Mariae, quod Magnificat nuncupatur, per octo musicae modos variatum. Leuven: Pierre Phalèse, 1563. RISM ID: 990023718.
Cycles: Guerrero, Francisco, Magnificat à 4.

Guerrero 1584. Guerrero, Francisco. Liber versperarum. Roma: Dominicus Basa, 1584. RISM ID: 990023723.
Cycles: Guerrero, Francisco, Magnificat à 4-6.

Guilain 1706. Guilain, Jean Adam. Pièces d'orgue pour le Magnificat sur les huit tons différents de l'église. [n.p.]: [n.p.], 1706.
Cycles: Guilain, Jean Adam, Pièces d’Orgue pour le Magnificat sur les huit tons differens de l’Église.

Guillet 1610. Guillet, Charles. Fantasies. Paris: Pierre Ballard, 1610. RISM ID: 990023945.
Cycles: Guillet, Charles, Fantasies en h; Guillet, Charles, Fantasies en b.

Gumpelzhaimer 1595. Gumpelzhaimer, Adam. Compendium musicae latino-germanicum. Augsburg: Hans Ulrich Schönig, 1616.
Cycles: Gumpelzhaimer, Adam, Exempla.
Sixth edition: the first edition appeared in 1591; 13 editions are known. A bilingual schoolbook, with parallel texts in Latin and German. Gumpelzhaimer reworked the texts of Heinrich Faber's Compendiolum (Braunschweig, 1548) and Christoph Rid's translation, and added numerous examples. Treatment of the modes first appeared in the second edition of 1595. Chap. 19 surveys the 12 modes, explaining their construction and affect, and giving a short 4-part example for each.

H-Bn Ms. Mus. IV. 835. Ariae, Praeludia, Rorate. Himni. Psalmus Miserere. Toni psalmorum. Missa S. Antonii, Tubicinalis, Brunensis, Francisci Woglerii, Romana, Viennensis. Requiem. Te Deum laudamus. Antiphonae... Tota pulchra. Litaniae Variae. Cantilenae variae. Ms. H-Bn Ms. Mus. IV. 835. RISM ID: 1001027240.
Cycles: Anonymous, Dixit dominus (H-Bn Ms. Mus. IV. 835).

H-Bn Ms. mus. IV. 2.382. Klug, Josef Alois. Leichte Cadenzen durch alle Töne für die Orgel. Ms. H-Bn Ms. mus. IV. 2.382. RISM ID: 1001303732.
Cycles: Klug, Josef Alois, Leichte Cadenzen durch alle Töne.

Harsdörffer 1641-9. Harsdörffer, Georg Philipp. Frauenzimmer Gesprechspiele... Nürnberg: Wolfgang Endtner, c. 1645. RISM ID: 990060591.
Cycles: Staden, Sigmund Theophil, Die Tugendsterne.
Eight volumes of plays; vol. 5, pp. 280-307 contain the Tugendsterne (play 213), which is on modal affects and the cosmological associations of the modes. Glarean 1547 is mentioned as an authority in the opening speech, though only 7 modes are discussed in the play. For each of these a 3-part symphonia and a song by Staden are included.

Hassler 1601. Hassler, Jakob. Magnificat octo tonorum quatuor vocum. Nürnberg: Paul Kauffmann, 1601. RISM ID: 990026530.
Cycles: Hassler, Jakob, Magnificat 8 tonorum.

Hefele 1798. Hefele, Joseph. Die acht Kirchen-Töne mit 30 leichten Versetten worinn alle Psalmen auf die allerleichteste Art können gespielt werden; Besonders für Anfänger. Bregenz: Joseph Brentano, 1798. RISM ID: 990029071.
Cycles: Hefele, Joseph, Die acht Kirchen-Töne mit 30 leichten Versetten.

Herbst 1643. Herbst, Johann Andreas. Musica Poëtica sive Compendium Melopoëticum... Nürnberg: Jeremia Dümler, 1643.
Cycles: Diruta, Girolamo, Duo.
Dedication signed in Nuremberg, Domenica Laetare 1643. Text mainly in German, with some Latin. On fol. a3r is a list of 10 `nomina autorum' of texts Herbst drew on. The 12-mode system is discussed in chaps. 6-8 and 11. Further, chap. 5 mentions the tenor principle (p. 32) and chap. 9 postulates a relationship between fugal subjects and modes. The modes have two purposes: to provide norms to music and to represent the human affects. The latter is the subject of chap. 11, which moreover illustrates the modes with a number of chorales and polyphonic compositions, and gives a 2-part example for each mode.

Hercules 1587. Hercules. Magnificat omnitonum quatuor vocibus cum completorio, & quatuor antiphonis B. Virginis Marie. Venezia: Giacomo Vincenti, 1587. RISM ID: 990029236.
Cycles: Hercules, Magnificat omnitonum.

Herpol 1565. Herpol, Homer. Novum et insigne opus musicum, in quo textus evangeliorum totius anni... exprimitur. Nürnberg: Ulrich Neuber; Johann Bergs Erben, 1565. RISM ID: 990029300.
Cycles: Herpol, Homer, Evangelia (i); Herpol, Homer, Evangelia (ii); Herpol, Homer, Evangelia (iii); Herpol, Homer, Evangelia (iv).

Heyden 1537. Heyden, Sebald. Musicae, id est, artis canendi libri duo. Nürnberg: Johann Petreius, 1537.
Cycles: Heyden, Sebald, Exempla (i).
Dedication signed in Nuremberg, 1 March 1537. An enlarged re-edition of Heyden, 1532, later revised as Heyden 1540. The modes are treated in chap. ii:8, which states among other things that the modes are almost without meaning in figural music. The inclusion of a modal cycle of works by Agricola, Josquin, La Rue, and Weerbecke at the end of the chapter seems to contradict this statement.

Heyden 1540. Heyden, Sebald. De arte canendi ac uero signorum in cantibus uso, libri duo. Nürnberg: Johann Petreius, 1540.
Cycles: Heyden, Sebald, Exempla (ii).
Dedication signed in Nuremberg, 1 January 1540. Heyden 1532 and 1537 are earlier versions. The modes are treated in chap. ii:8. The text of this chapter is identical to that of the corresponding chapter in Heyden 1537. However, the modal cycle consists of different pieces, with the exception of Weerbecke's example for mode 8. The other compositions are by Agricola, Heyden, Josquin, Ockeghem, and Weerbecke.

Hoffmann 1577. Hoffmann, Eucharius. XXIIII. Cantiones, quatuor, quinque, et sex vocum, accommodatae ad XII. tonos... Wittenberg: Johann Schwertel, 1577. RISM ID: 990029815.
Cycles: Hoffmann, Eucharius, Exempla 12 tonorum in scala dura; Hoffmann, Eucharius, Exempla 12 tonorum in scala molli.
Dedication signed in Stralsund, 1577. Collection of 24 motets in 2 modal cycles; each work is dedicated to a resident of Strasund, beginning with the nobility, and ending with the organist Caspar Noske. The preface explains that this collection is a supplement to the first edition of Hoffmann 1582, as a demonstration of how to compose in the 12 modes. Therefore, the characteristics of each mode are observed as much as possible.

Hoffmann 1582. Hoffmann, Eucharius. Doctrina de tonis seu modis musicis. Greifswald: Augustinus Ferber, 1582.
Cycles: Herpol, Homer, Evangelia (i); Utendal, Alexander, Septem psalmi poenitentiales, adiunctis... orationibus... quinque, ad Dodecachordi modos duodecim; Hoffmann, Eucharius, Exempla 12 tonorum in scala dura; Hoffmann, Eucharius, Exempla 12 tonorum in scala molli; Hoffmann, Eucharius, Fugae.
Dedication signed in Stralsund, 12 October 1582. A lost earlier edition must have appared before Hoffmann 1577, its sequel, and after Hoffmann 1572, which announces its publication. Reprinted in 1588 and, altered, as Hoffmann 1605. Hoffmann cites Glarean 1547 repeatedly as an authority. The first 6 chapters treat definitions, origin, number and types, transposition, and recognition of the 12 modes; the last and longest chapter discusses each mode separately, under 9 different headings. The last of these is examples in choral and figural music; there are around 50 examples of each type. Further, Hoffmann refers to 5 cycles.

Homberger c. 1605. Homberger, Paul. Psalmodiae Vespertinae Secundum veterem tonorum rationem decantandae. [Ms., no location].
Cycles: Homberger, Paul, Psalmi.

Hoste da Reggio 1550. Hoste da Reggio. Magnificat cum omnibus tonis, hymni & motetta, quatuor vocum. Milano: Innocenzio da Cigognera, 1550. RISM ID: 990037986.
Cycles: Hoste da Reggio, Magnificat.

Hoyoul 1587. Hoyoul, Balduin. Sacrae cantiones, quinque, sex, septem, octo, novem et decem vocum... Nürnberg: Catharina Gerlach, 1587. RISM ID: 990031545.
Cycles: Hoyoul, Balduin, Sacrae cantiones.

I-BREd ChB 2. [Falsibordoni]. Ms. I-BREd ChB 2. RISM ID: 650012281.
Cycles: Anonymous, Falsibordoni à 8 (I-BREd ChB 2) (i); Anonymous, Falsibordoni à 8 (I-BREd ChB 2) (ii).

I-BREd ChB 4. Introitus... de tempore. Ms. I-BREd ChB 4. RISM ID: 650012318.
Cycles: Stadlmayer, Johann, Gloria patri.

I-BREd DKA M 2485. Anonymous. [28 keyboard pieces]. [n.p.]: [n.p.], c. 1749. RISM ID: 1001264458.
Cycles: Anonymous, Praeambula and verses (I-BREd DKA M 2485).

I-BREk Mus.ms. 145. Dagn, Magnus. Kurze Versetten nach den 8 Kirchen-Tonarten. Ms. I-BREk Mus.ms. 145. RISM ID: 1001014618.
Cycles: Dagn, Magnus, Kurze Versetten nach den 8 Kirchen-Tonarten.

I-BZf Coll.Mus.ms. 11. Anonymous. [Sacred compositions]. Ms. I-BZf Coll.Mus.ms. 11. RISM ID: 651004450.
Cycles: Anonymous, Intonationes super octo tonos.

I-BZf no signature. [Keyboard pieces]. Ms. I-BZf (no signature). RISM ID: 651002209.
Cycles: Anonymous, Versi (I-BZf).

I-Bc MS.MART.2.77. Sabbatini, Luigi Antonio. Elementi di Contra[punto]... Ms. I-Bc MS.MART.2.77. RISM ID: 850618272.
Cycles: Sabbatini, Luigi Antonio, Psalmi.

I-Bc Q.22. [Collection of sacred music]. Ms. I-Bc Q.22. DIAMM ID: 5447.
Cycles: Porta, Costanzo, Magnificat octo tonorum quatuor vocum parium.
Dated around 1550 in the Census catalogue.

I-Bc Q.33. [Collection of liturgical music]. Ms. I-Bc Q.33.
Cycles: Porta, Costanzo, Magnificat 8 vocum.
Copied by Teodoro Clinio, c. 1600.

I-Bof ms 26a. Giacobbi, Girolamo. Sanctissimae Deiparae Canticum Octo Musicis Tonis Ecclesiasticis accomodatum quatuor vocibus... Ms. I-Bof ms 26a. RISM ID: 850034955.
Cycles: Giacobbi, Girolamo, Sanctissimae Deiparae Canticum.

I-Mdemicheli MSS.Mus 11. [Keyboard pieces]. Ms. I-Mdemicheli MSS.Mus 11. RISM ID: 851002255.
Cycles: Anonymous, Versets (I-Mdemicheli MSS.Mus 11).

I-Nc 20.2.31. Modo facile per imparare il contrapunto. Ms. I-Nc 20.2.31.
Cycles: Anonymous, Esempi (I-Nc 20.2.31).

I-Nn VH 210. [none]. Ms. I-Nn VH 210.
Cycles: Anonymous, Psalm tones (I-Nn VH 210); Cimello, Giovanthomaso, Examples.
Manuscript dating from the later 16th century, consisting of a number of music-theoretical texts and examples, most or all likely authored by Giovanthomaso Cimello.

I-OS Mss.Teoria B 1. Guglielmi, Pietro Alessandro. Trattato del moderno contrappunto. Ms. I-OS Mss.Teoria B 1. RISM ID: 850609317.
Cycles: Guglielmi, Pietro Alessandro, Esempi.

I-REm Mus. Sacra 10. Signoretti, Aurelio. B. Virginis Cantica octo, et Missae quattuor quaternis vocibus modulatae. Ms. I-REm Mus. Sacra 10. RISM ID: 850027136.
Cycles: Signoretti, Aurelio, Magnificat.

I-Rli Musica P 32. Palestrina, Giovanni Pierluigi da. [Sacred songs]. Ms. I-Rli Musica P 32. RISM ID: 850030430.
Cycles: Anonymous, Ricercari (I-Rli Musica P 32).

I-Rn Mss musicali 161. Pro Vesperis et alijs divinis Officijs. Ms. I-Rn Mss musicali 161. RISM ID: 50037726.
Cycles: Tesorieri, Ettore, Falsibordoni (i); Tesorieri, Ettore, Falsibordoni (ii).

I-Rrostirolla MS MUS 561. Matucci, Bonaventura. Versetti Di primo, Secondo, terzo, quarto, quinto e sesto tuono. Ms. I-Rrostirolla MS MUS 561. RISM ID: 850004947.
Cycles: Matucci, Bonaventura, Versetti.

I-Sd 2798/30. Salmi. Ms. I-Sd 2798/30. RISM ID: 1001200596.
Cycles: Anonymous, Magnificat à 4 (I-Sd 2798/30).

I-Vc Torrefranca Ms.A. 147. Caballone, Michele. Regole di Contrapunto. Ms. I-Vc Torrefranca Ms.A. 147. RISM ID: 850699362.
Cycles: Caballone, Michele, Esempi.
Content dated no later than 1740 (death of the composer)

I-Vnm CANAL 11068. Frescobaldi, Girolamo. Canzoni, Capricci, Toccate, Ricercate, ed altre Suonate per L' Organo, e Clavicembalo. Ms. I-Vnm CANAL 11068. RISM ID: 850709460.
Cycles: Frescobaldi, Girolamo, Versetti.

I.S.C.R.Z. 1748. I.S.C.R.Z.. Manuductio ad organum . Augsburg: Johann Jacob Lotters seel. Erben, 1748. RISM ID: 408005135.
Cycles: Anonymous, Manuductio ad Organum.

Intavolatura 1598. Intavolatura d'organo. Venezia: Giacomo Vincenti, 1598. RISM ID: 1001197850.
Cycles: Vincenti, Giacomo, Versetti sopra gli otto tuoni ecclesiastici.

Isnardi 1582. Isnardi, Paolo. Magnificat omnitoni cum quatuor, quinque et sex vocibus. Venezia: Erede di Girolamo Scotto, 1582. RISM ID: 990032082.
Cycles: Isnardi, Paolo, Magnificat omnitoni.

Jakob c. 1764. Jakob, Franz Niklaus. All -und iede Choral-Gesänger, welche in dem Hochlobwürdigen Frauen-Closter beÿ St. Andres allhier zu Sarnen das Jahr hindurch mit der Orgel gesungen werden. Ms. CH-SAf MusSAf.GC.Ms.2. RISM ID: 408005161.
Cycles: Jakob, Franz Niklaus, Magnificat.

Janequin 1540. Janequin, Clément. Huitiesme livre contenant xix. Chansons nouvelles a quatre parties... Paris: Pierre Attaingnant, 1540. RISM ID: 990032514.
Cycles: Janequin, Clément, Huitiesme livre de chansons nouvelles.

Janequin 1549. Janequin, Clément. Trente & ungyesme livre contenant xxx. Chansons nouvelles a quatre en deux volumes. Paris: Pierre Attaingnant, 1549. RISM ID: 990032517.
Cycles: Janequin, Clément, Trente et ungyesme livre de chansons nouvelles.

Jullien 1690. Jullien, Gilles. Premier Livre D'orgue. Paris: Lesclop, 1690. RISM ID: 990032744.
Cycles: Jullien, Gilles, Les huit tons de l'église.

Kerle 1561. Kerle, Jacobus de. Magnificat octo tonum cum quatuor vocibus... liber primus. Venezia: Antonio Gardano, 1561. RISM ID: 990033276.
Cycles: Kerle, Jacobus de, Magnificat octo tonum.

Kerle 1562. Kerle, Jacobus de. Preces speciales pro salubris generalis concilii successu... ad figuras et modos musicos accommodate, cum quatuor vocibus. Venezia: Antonio Gardano, 1562. RISM ID: 990033277.
Cycles: Kerle, Jacobus de, Preces speciales.

Kerll 1675. Gio: Gasparo Kerll, Borro, I: P: Kriegeri. Toccate, Canzoni, et altre Sonate, per Sonare sopra' il Clavicembalo è Organo. [Ms., no location].
Cycles: Kerll, Johann Kaspar, Toccate.

Kerll 1686. Kerll, Johann Kaspar. Modulatio organica super Magnificat octo ecclesiis tonis respondens. München: Michael Wening, 1686. RISM ID: 990033289.
Cycles: Kerll, Johann Kaspar, Modulatio organica super Magnificat.

Keyboard pieces c. 1850. [188 Keyboard pieces]. Ms. D-MT Mus.ms. 1638. RISM ID: 454007352.
Cycles: Daffner, Franz, Keyboard pieces.

Kindermann 1645. Kindermann, Johann Erasmus. Harmonia Organica... Nürnberg: the author, 1645. RISM ID: 1000000214.
Cycles: Kindermann, Johann Erasmus, Praeambula (i); Kindermann, Johann Erasmus, Praeambula (ii).

Kircher 1650. Kircher, Athanasius. Musurgia universalis siue ars magna consoni et dissoni. Roma: Eredi di Francesco Corbelletti, 1650.
Cycles: Kircher, Athanasius, Paradigmata.
Dedication signed in Rome, 8 December 1649. The principal technical discussion of the 12 modes is in chaps. iii:17 (formation of the modes) and v:7-8 (mainly transposition and cadence dispositions). Book 7 mainly treats the modal affects (pp. 552-55 and pp. 569-77). The examples on these last pages, including the cycle of short 4-part pieces derive from Rodio 1609, though the text of this section contains no clear borrowings from this source. Kircher discusses stylus metabolicus or change of mode through change of scale on pp. 672-75; works of a number of recent composers are mentioned (3 fragments are given a examples). These composers seem to have been inspired at least in part by Doni's theories (Doni 1635). The modes also have a part in the system of automatic composition that Kircher expounds in book 8. Here and in other places, many examples carry a modal designation.

Klemm 1631. Klemm, Johann. Partitura, seu tabulatura italica, exhibens, triginta sex fugas, 2. 3. & 4. vocibus ad duodecim consuetos tonos musicos compositas. Dresden: Wolfgang Seyffert, 1631. RISM ID: 990033707.
Cycles: Klemm, Johann, Fugae à 2; Klemm, Johann, Fugae à 3; Klemm, Johann, Fugae à 4.

Knecht 1798. Knecht, Justin Heinrich. Vollständige Orgelschule. [Ms., no location].
Cycles: Knecht, Justin Heinrich, Choralbeispiele.

Kobrich 1751. Kobrich, Johann Anton. Figuralische Choral-Zierde. Nürnberg: Johann Ulrich Haffner, 1751. RISM ID: 990033859.
Cycles: Kobrich, Johann Anton, Figuralische Choral-Zierde.

Kolb 1733. Kolb, Carlmann. Certamen aonium, id est, lusus vocum inter se innocue concertantium... ab octo tonis, pars prima. Augsburg: Johann Christian Leopold, 1733. RISM ID: 990034108.
Cycles: Kolb, Carlmann, Certamen aonium.

Kurtzer 1689. Kurtzer jedoch gründlicher Wegweiser, vermittelst welches man... die Kunst, die Orgel recht zu schlagen... erlernen... kan... Augsburg: Jacob Koppmayer, 1689.
Cycles: Anonymous, Kurtze und leichte Praeambula, oder Versus.
Anonymous organ method, with an Übungsplan of 68 compositions, most of them short versets.

Königsperger 1755. Königsperger, Marianus. Der wohl-unterwiesene Clavier-Schüler..., sondern auch VIII. Praeambula, XXIV. Versette und VIII. Arien oder Galanterie-Stücke aus allen Tonen zur weitern Übung vorgelegt werden. Augsburg: Johann Jakob Lotters seel Erben, 1755. RISM ID: 990034082.
Cycles: Königsperger, Marianus, Praeambula; Königsperger, Marianus, Arien.

Königsperger 1756. Königsperger, Marianus. Praeambulum cum fuga primi...octavi toni. Augsburg: Joannis Jacobi Lotteri haeredes, c. 1755. RISM ID: 990034077.
Cycles: Königsperger, Marianus, Praeambulae cum fugis.
Probably as series of 8 separate prints, each consisting of a praeambulum and a fugue in one of the eight tones

La Rue, Magnificat. La Rue, Pierre de. Libro... de ocho tonos de manificas de musica... Ms. LOST.
Cycles: la Rue, Pierre de, Magnificat.
A lost source of Pierre de la Rue's Magnificat cycle, mentioned in a catalogue of 1602.

Lambardi 1586. Lambardi, Girolamo. Sacra Cantica B. Mariae Virginis cuiusvis Toni, quaternis paribus vocibus canenda. Venezia: Angelo Gardano, 1586. RISM ID: 990036193.
Cycles: Lambardi, Girolamo, Sacra Cantica Beatae Mariae Virginis cuiusvis toni.

Lappi 1614. Lappi, Pietro. Sacrae melodiae... Venezia: Ricciardo Amadino, 1614. RISM ID: 990036477.
Cycles: Lappi, Pietro, Symphoniae.

Lappi 1622. Lappi, Pietro. Sacrae melodiae... Antwerpen: Pierre Phalèse, 1622. RISM ID: 990036479.
Cycles: Lappi, Pietro, Symphoniae.

Lassus 1562. Lassus, Orlande de. Sacrae cantiones quinque vocum... Nürnberg: Ulrich Neuber Johannes Montanus, 1562. RISM ID: 990036555.
Cycles: Lassus, Orlande de, Sacrae cantiones.

Lassus 1567a. Lassus, Orlande de. Magnificat octo tonorum, sex, quinque et quatuor uocum. Nürnberg: Dietrich Gerlach, 1567. RISM ID: 990036592.
Cycles: Lassus, Orlande de, Magnificat 6 vocum; Lassus, Orlande de, Magnificat 5 vocum (i); Lassus, Orlande de, Magnificat 4 vocum (i).
Publisher's dedication dated 3 July 1567.

Lassus 1567b. Lassus, Orlande de. Newe Teütsche Liedlein mit fünff Stimmen... München: Adam Berg, 1567. RISM ID: 990036601.
Cycles: Lassus, Orlande de, Newe Teutsche Liedlein.

Lassus 1569. Lassus, Orlande de. Cantiones aliquot quinque vocum... München: Adam Berg, 1569. RISM ID: 990036607.
Cycles: Lassus, Orlande de, Cantiones aliquot.

Lassus 1570. Lassus, Orlande de. Selectiorum aliquot cantionum sacrarum, sex vocum, fasciculus adiunctis in fine tribus dialogis, octo vocum. München: Adam Berg, 1570. RISM ID: 990036620.
Cycles: Lassus, Orlande de, Selectiorum aliquot cantionum sacrarum.

Lassus 1571a. Lassus, Orlande de. Livre de chansons nouvelles à cinc parties, avec deux dialogues: à huict. Paris: Adrian Le Roy; Robert Ballard, 1571. RISM ID: 990036681.
Cycles: Lassus, Orlande de, Chansons nouvelles.

Lassus 1571b. Lassus, Orlande de. Moduli quinis vocibus nunquam hactenus editi. Paris: Adrian Le Roy; Robert Ballard, 1571. RISM ID: 990036630.
Cycles: Lassus, Orlande de, Moduli nunquam hactenus editi.

Lassus 1576. Lassus, Orlande de. Les meslanges... contenantz plusieurs chansons à IIII, V, VI, VIII, X parties: reveuz par luy, et augmentez. Paris: Adrian Le Roy; Robert Ballard, 1576. RISM ID: 990036678.
Cycles: Lassus, Orlande de, Meslanges.

Lassus 1577. Lassus, Orlande de. Novae aliquot et antehac non ita usitatae ad duas voces Cantiones suavissimae... München: Adam Berg, 1577. RISM ID: 991022278.
Cycles: Lassus, Orlande de, Ad duas voces cantiones (texted); Lassus, Orlande de, Ad duas voces cantiones (untexted).

Lassus 1579. Lassus, Orlande de. Motetti et ricercari... a due voci... libro primo. Venezia: Angelo Gardano, 1579. RISM ID: 990036703.
Cycles: Lassus, Orlande de, Ad duas voces cantiones (texted); Lassus, Orlande de, Ad duas voces cantiones (untexted).

Lassus 1582. Lassus, Orlande de. Fasciculi aliquot sacrarum cantionum cum quatuor quinque sex & octo uocibus antea quidem separata excussi nunc uero auctoris consensu in unum corpus redacti. Nürnberg: Gerlach, 1582. RISM ID: 990036723.
Cycles: Lassus, Orlande de, Fasciculi aliquot sacrarum cantionum à 5; Lassus, Orlande de, Selectiorum aliquot cantionum sacrarum; Lassus, Orlande de, Fasciculi aliquot sacrarum cantionum à 4.

Lassus 1584. Lassus, Orlande de. Psalmi Davidis poenitentiales, modis musicis redditi... München: Adam Berg, 1584. RISM ID: 990036738.
Cycles: Lassus, Orlande de, Psalmi Davidis poenitentiales.

Lassus 1587a. Lassus, Orlande de. Octo cantica Diuae Mariae Virginis, quorum initium est Magnificat, secundum octo modos, seu tonos in templis decantari solitos. Paris: Adrian Le Roy; Robert Ballard, 1587. RISM ID: 990036766.
Cycles: Lassus, Orlande de, Magnificat 4 vocum (ii).

Lassus 1587b. Lassus, Orlande de. Sacrarum cantionum moduli quatuor vocibus contexti. Paris: Adrian Le Roy; Robert Ballard, 1587. RISM ID: 990036761.
Cycles: Lassus, Orlande de, Sacrarum cantionum Moduli.

Lassus 1592. Lassus, Orlande de. La fleur des chansons... Contenant un Recueil de ses Chansons Francoises, & Italiennes, a Quatre, Cinc, Six & Huit parties, accommodées tant aux Instrumens comme a la Voix: Toutes mises en ordre conuenable selon leurs Tons. Antwerpen: Pierre Phalese et Jean Bellere, 1592. RISM ID: 990036787.
Cycles: Lassus, Orlande de, La fleur des chansons à 4; Lassus, Orlande de, La fleur des chansons à 5.

Lassus 1594. Lassus, Orlande de. Cantiones sacrae, sex vocum, quas vulgo motectas vocant. Graz: Georg Widmanstetter, 1594. RISM ID: 990036792.
Cycles: Lassus, Orlande de, Cantiones sacrae 6 vocum.

Lassus 1595. Lassus, Orlande de. Lagrime di S. Pietro, descritte dal Signor Luigi Tansillo... München: Adam Berg, 1595. RISM ID: 990036794.
Cycles: Lassus, Orlande de, Lagrime di San Pietro.

Le Jeune 1564. Le Jeune, Claude. Pseaumes de David... à quatre parties. Paris: Adrian Le Roy; Robert Ballard, 1564. RISM ID: 990037441.
Cycles: Le Jeune, Claude, Pseaumes.

Le Jeune 1585. Le Jeune, Claude. Livre de Mélanges. Antwerpen: Christopher Plantin, 1585. RISM ID: 990037443.
Cycles: Le Jeune, Claude, Canzonette a 4; Le Jeune, Claude, Canzonette a 5; Le Jeune, Claude, Chansons a 4.
Collection of compositions, ordered by genre. Each of the 7 groups seem to be in modal order, but only in three cases the groups are large and diverse enough to be called modal cycles.

Le Jeune 1598. Le Jeune, Claude. Dodecacorde contenant douze pseaumes de Dauid, mis en musique selon les douze modes... La Rochelle: Jérôme Haultin, 1598. RISM ID: 990037448.
Cycles: Le Jeune, Claude, Dodecacorde.
Composed before 1590, probably in Paris. The preface to this cycle of 12 French psalms through the 12 modes (in Zarlino's new ordering) mentions the affects of some of the ancient modes. Though it is implied that these are present in the psalms as well, Le Jeune applied numbers, not the classical names, to them. One reason is `to eschew ostentation', the other is the `diversity of opinions on these names'.

Le Jeune 1603. Le Jeune, Claude. Le printemps... à deux. 3. 4. 5. 6. 7. et 8. Parties. Paris: Veufve R. Ballard; son fils Pierre Ballard, 1603. RISM ID: 990037460.
Cycles: Le Jeune, Claude, Printemps.

Le Jeune 1606. Le Jeune, Claude. Octonaires de la vanité et inconstance du monde, mise en musique à 3 & à 4 parties. Paris: Pierre Ballard, 1606. RISM ID: 990037462.
Cycles: Le Jeune, Claude, Octonaires.

Le Jeune 1608a. Le Jeune, Claude. Airs à III. IIII. V et VI parties. Paris: Pierre Ballard, 1608. RISM ID: 990037466.
Cycles: Le Jeune, Claude, Airs.

Le Jeune 1608b. Le Jeune, Claude. Second livre des airs à III, IIII, V et VI parties. Paris: Pierre Ballard, 1608. RISM ID: 990037467.
Cycles: Le Jeune, Claude, Second livre des airs.

Le Roy 1574. Le Roy, Adrian. A briefe and plaine Instruction to set all Musicke of eight diuers tunes in Tableture for the Lute. London: James Rowbothome, 1574.
Cycles: Le Roy, Adrian, Examples.
Translation of Le Roy 1557. Manual on the intabulation on vocal music for the lute. Chaps. 1-8 discuss this for each of the 8 modes separately, using 11 chansons by Lassus (and one by an anonymous composer) as examples. Much attention is given to the ambitus of the voice parts.

Lebègue 1676. Lebègue, Nicolas-Antoine. Les pièces d'orgues... Paris: Baillon, 1676. RISM ID: 990036989.
Cycles: Lebègue, Nicolas-Antoine, Les pièces d’orgues.

Lebègue c. 1678. Lebègue, Nicolas-Antoine. Second livre des pièces d'orgues... contenant des pièces courtes et faciles sur les huit tons de l'église et la messe des festes solemnelles. Paris: Lesclop, c. 1678. RISM ID: 990036991.
Cycles: Lebègue, Nicolas-Antoine, Magnificat.

Lechner 1575. Lechner, Leonhard. Motectae sacrae, quatuor, quinque et sex vocum... Nürnberg: Catharina Gerlach; Johann Bergs Erben, 1575. RISM ID: 990037066.
Cycles: Lechner, Leonhard, Motectae sacrae (i); Lechner, Leonhard, Motectae sacrae (iii); Lechner, Leonhard, Motectae sacrae (ii).

Lechner 1576. Lechner, Leonhard. Newe Teutsche Lieder zu drey Stimmen. Nürnberg: Catharina Gerlach; Johann Bergs Erben, 1576. RISM ID: 990037068.
Cycles: Lechner, Leonhard, Newe Teutsche Lieder zu drey Stimmen (i).

Lechner 1577a. Lechner, Leonhard. Newe Teutsche Lieder. Nürnberg: Catharina Gerlach; Johann Bergs Erben, 1577. RISM ID: 990037070.
Cycles: Lechner, Leonhard, Newe Teutsche Lieder zu drey Stimmen (ii).

Lechner 1577b. Lechner, Leonhard. Newe Teutsche Lieder mit vier und fünff Stimmen. Nürnberg: Nicolaus Knorr, 1577. RISM ID: 990037071.
Cycles: Lechner, Leonhard, Newe Teutsche Lieder mit vier Stimmen; Lechner, Leonhard, Newe Teutsche Lieder mit fünff Stimmen (i).

Lechner 1578. Lechner, Leonhard. Sanctissimae Virginis Mariae canticum, quod vulgo Magnificat inscribitur, secundum octo vulgares tonos, quatuor vocibus compositum. Nürnberg: Nicolaus Knorr, 1578. RISM ID: 990037072.
Cycles: Lechner, Leonhard, Sanctissimae Virginis Mariae Canticum.

Lechner 1581. Lechner, Leonhard. Sacrarum cantionum quinque et sex vocum liber secundus. Nürnberg: Catharina Gerlach; Johann Bergs Erben, 1581. RISM ID: 990037075.
Cycles: Lechner, Leonhard, Sacrae cantiones quinque vocum; Lechner, Leonhard, Sacrae cantiones sex vocum.

Lechner 1582. Lechner, Leonhard. Newe Teutsche Lieder mit fünff und vier Stimmen. Nürnberg: Catharina Gerlach; Johann Bergs Erben, 1582. RISM ID: 990037076.
Cycles: Lechner, Leonhard, Newe Teutsche Lieder mit fünff Stimmen (ii).

Lechner 1588. Lechner, Leonhard. Neue lustige Teutsche Lieder nach Art der Welschen Canzonen. Nürnberg: Catharina Gerlach, 1588. RISM ID: 990037082.
Cycles: Lechner, Leonhard, Newe lustige Teutsche Lieder.

Lechner 1593. Lechner, Leonhard. [Letter to Samuel Magirus, 8 August 1593]. Ms. Tübingen, Archiv des Evang. Stifts.
Cycles: Lassus, Orlande de, Sacrae cantiones.
Letter written in Stuttgart. Lechner and Lassus recognize only eight modes, and the tonus peregrinus; the 4 new modes fit in the old system. Others may prefer the 12-mode system, and counts Utendal and Rore among these. Mentions two compositions, and Lassus's motet collection of 1562. An unidentified treatise on the 12 modes was included in the letter.

Legrenzi 1655. Legrenzi, Giovanni. Sonate a due, e tre... Libro primo. Opera Second. Venezia: Franscesco Magni, 1655. RISM ID: 990037380.
Cycles: Legrenzi, Giovanni, Sonate a due violini.

Leonardus 1594. Leonardus, Theodorus. Magnificat quatuor vocum liber primus. Venezia: Angelo Gardano, 1594. RISM ID: 990037737.
Cycles: Leonardus, Theodorus, Magnificat.

Leoni 1652. Leoni, Giovanni Antonio. Sonate di violino a voce sola... libro primo. Roma: Vitale Mascardi, 1652. RISM ID: 990037749.
Cycles: Leoni, Giovanni Antonio, Sonate.

Liban 1540. Liban, Jerzy. De musicae laudibus oratio seu adhortatio quaedam, ad musicae studiosos... Kraków: Johannes Halicz, 1540.
Cycles: Liban, Jerzy, Magnificat.
Eulogy on music read at Cracow, 1528, extensively quoting from classical sources; it is followed by a treatment of elementary theory in an equally classicizing manner. Discussion of the modes on fols. d7v-d8r and e2v-f7r; it is cast in speculative terms, clearly deriving from Gaffurius 1518, without any description of scales or other technical issues. Nevertheless, the modes are each illustrated by a four-part Magnificat setting. The example for the tonus peregrinus follows at the end of a section in which the modes interrogate the peregrinus one by one; the answers are mainly quotations from the Bible about pilgrimage.

Liber 1534-7. Liber quintus xii. trium priorum tonorum magnificat. Paris: Pierre Attaingnant, 1534. RISM ID: 993104116.
Cycles: Attaingnant, Pierre, Magnificat.

Liber 1534-8. Liber sextus xiii. quinque ultimorum tonorum magnificat. Paris: Pierre Attaingnant, 1534. RISM ID: 993104118.
Cycles: Attaingnant, Pierre, Magnificat.

Liber 1553-10. Liber tertius ecclesiasticarum cantionum quatuor vocum Vulgo Moteta vocant, tam ex Veteri quam ex Nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum. Antwerpen: Tylman Susato, 1553. RISM ID: 993120055.
Cycles: Susato, Tylman, Liber tertius ecclesiasticarum cantionum.

Liber 1553-12. Liber quintus ecclesiasticarum cantionum quinque vocum Vulgo Moteta vocant, tam ex Veteri quam ex nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum. Omnes Primi toni. Antwerpen: Tylman Susato, 1553. RISM ID: 993120057.
Cycles: Susato, Tylman, Liber V-XIV Ecclesiasticarum cantionum.

Liber 1553-13. Liber sextus ecclesiasticarum cantionum quinque vocum Vulgo Moteta vocant, tam ex Veteri quam ex Nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum. Omnes Primi toni. Antwerpen: Tylman Susato, 1553. RISM ID: 993120058.
Cycles: Susato, Tylman, Liber V-XIV Ecclesiasticarum cantionum.

Liber 1553-14. Liber septimus ecclesiasticarum cantionum quinque vocum Vulgo Moteta vocant, tam ex Veteri quam ex Nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum... Omnes de vno tono. Antwerpen: Tylman Susato, 1553. RISM ID: 993120059.
Cycles: Susato, Tylman, Liber V-XIV Ecclesiasticarum cantionum.

Liber 1553-15. Liber octauus ecclesiasticarum cantionum quinque vocum Vulgo Moteta vocant, tam ex Veteri quam ex Nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum. Omnes de vno tono. Antwerpen: Tylman Susato, 1553. RISM ID: 993120060.
Cycles: Susato, Tylman, Liber V-XIV Ecclesiasticarum cantionum.

Liber 1553-8. Liber primus ecclesiasticarum cantionum quatuor vocum Vulgo Moteta vocant, tam ex Veteri quam ex Nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum. Antwerpen: Tylman Susato, 1553. RISM ID: 993120087.
Cycles: Susato, Tylman, Liber primus ecclesiasticarum cantionum.

Liber 1553-9. Liber secundus ecclesiasticarum cantionum quatuor vocum Vulgo Moteta vocant, tam ex Veteri quam ex Nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum. Antwerpen: Tylman Susato, 1553. RISM ID: 993120088.
Cycles: Susato, Tylman, Liber secundus ecclesiasticarum cantionum.

Liber 1554-8. Liber quartus ecclesiasticarum cantionum quatuor vocum Vulgo Moteta vocant, tam ex Veteri quam ex Nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum. Antwerpen: Tylman Susato, 1554. RISM ID: 993120056.
Cycles: Susato, Tylman, Liber quartus ecclesiasticarum cantionum.

Liber 1554-9. Liber nonus ecclesiasticarum cantionum quinque vocum Vulgo Moteta vocant, tam ex Veteri quam ex Nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum. Omnes de vno tono. Antwerpen: Tylman Susato, 1554. RISM ID: 993120123.
Cycles: Susato, Tylman, Liber V-XIV Ecclesiasticarum cantionum.

Liber 1555-8. Liber decimus ecclesiasticarum cantionum quinque vocum Vulgo Moteta vocant, tam ex Veteri quam ex Nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum. Vnius toni omnes. Antwerpen: Tylman Susato, 1555. RISM ID: 993120153.
Cycles: Susato, Tylman, Liber V-XIV Ecclesiasticarum cantionum.

Liber 1555-9. Liber vndecimus ecclesiasticarum cantionum quatuor vocum Vulgo Moteta vocant, tam ex Veteri quam ex Nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum. Vnius toni omnes. Antwerpen: Tylman Susato, 1555. RISM ID: 993120154.
Cycles: Susato, Tylman, Liber V-XIV Ecclesiasticarum cantionum.

Liber 1557-3. Liber duodecimus ecclesiasticarum cantionum quatuor vocum Vulgo Moteta vocant, tam ex Veteri quam ex Nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum. De vno tono. Antwerpen: Tylman Susato, 1557. RISM ID: 993120195.
Cycles: Susato, Tylman, Liber V-XIV Ecclesiasticarum cantionum.
Reprint of the edition of 1553, of which only 1 part-book survives.

Liber 1557-4. Liber XIIII ecclesiasticarum cantionum quatuor vocum Vulgo Moteta vocant, tam ex Veteri quam ex Nouo testamento, ab optimis quibusque huius aetatis Musicis compositarum. De vno tono. Antwerpen: Tylman Susato, 1557. RISM ID: 993120215.
Cycles: Susato, Tylman, Liber V-XIV Ecclesiasticarum cantionum.

Liberati 1685. Liberati, Antimo. Lettera scritta dal Sig. Antimo Liberati In risposta ad vna del Sig. Ovidio Persapegi. Roma: Mascardi, 1685.
Cycles: Cifra, Antonio, Ricercari (i); Cifra, Antonio, Ricercari (ii).
Letter signed in Rome, 15 October 1684; containing Liberati's answer to a letter by Persapegi, in which he asked a judgment of 5 compositions submitted in the competition for the post of maestro di cappella at the Dome of Milan. A quick survey of the afterlife of the Greek genera and modes leads to the surprising conclusion that there is no certainty in music and that one has to trust one's ears (pp. 14-17). This point is further illustrated in many ways, for example by an outline of the history of music, mentioning among others Ockeghem and his Missa cuiusvis toni (p. 21; after Glarean 1547). Persapegi has an outspoken preference for Palestrina and the Roman School; concerning the mode this means that it should be selected in accordance with the text, and that no transgression of modal limits are allowed; many moderns are ignorant of the latter (p. 37). His preference for the third contestant (pp. 57, 60-61) is partly the result of this.

Licino 1545. Licino, Agostino. Primo libro di duo cromatici... da cantare et sonare. Venezia: Antonio Gardano, 1545. RISM ID: 990038008.
Cycles: Licino, Agostino, Dui cromatici da cantare et sonare.

Licino 1546. Licino, Agostino. Il secondo libro di duo cromatici... da cantare et sonare... Venezia: Antonio Gardano, 1546. RISM ID: 990038010.
Cycles: Licino, Agostino, Dui cromatici da cantare et sonare.

Listenius 1537. Listenius, Nikolaus. Musica. Nürnberg: Johann Petreius, 1549.
Cycles: Listenius, Nicolaus, Psalmorum intonationes.
Probably written for the Lateinschule in Salzwedel; revision of the author's Rudimenta musicae (1533). Reprinted more than 40 times. The text on modes in chapter 10 treats monophonic modes only, but includes a 4-part psalm-tone setting for each mode.

Livre premier 1536. Livre premier contenant xxix. chansons a quatre parties le tout en ung livre. Paris: Pierre Attaingnant, 1536. RISM ID: 993104161.
Cycles: Attaingnant, Pierre, Livre premier de chansons.

Lobo 1605. Lobo, Duarte. Cantica B. Mariae Virginis, vulgò Magnificat; quaternis vocibus. Antwerpen: apud Ioannem Moretum Officina Plantiniana, 1605. RISM ID: 990038242.
Cycles: Lobo, Duarte, Magnificat.

Lorente 1672. Lorente, Andrés. El porqué de la música. Alcala de Henares: Nicolas de Xamares, 1672.
Cycles: Lorente, Andrés, Falsibordoni.
Composition method in 4 books, reprinted twice. The modes of plainchant are discussed in book 1, those of polyphony in book 4. Since Lorente relied often on Cerone 1613, he probably followed the 12-mode system. The treatise contains a number of complete compositions: it is likely that some of these illustrate the modes.

Lost. Lost or inferred source. Ms. LOST.
Cycles: Falconio, Placido, Magnificat octo tonorum; Kerckhoven, Melchior van den; et al., Preludes et versets de tous les tons composés de divers auteurs; Moritz Landgrave of Hessen-Kassel, Cantica Beatae Mariae Viriginis secundum 12 modos; Moritz Landgrave of Hessen-Kassel, Magnificat 5 vocum omnium tonorum; Moritz Landgrave of Hessen-Kassel, Magnificat à 4 secundum 12 modos; Regnart, Jacob, Magnificat; Sweelinck, Jan Pieterszoon, Fantasien mit 3 Stimm der alle 8 Tonos; Zarlino, Gioseffo, Canticum canticorum; Hoffmann, Eucharius, Fugae.

Luzzaschi 1578. Luzzaschi, Luzzasco. Il Secondo Libro De Ricercari a quattro uoci. Ms. Bologna, Convento di S. Francesco. RISM ID: 859000063.
Cycles: Luzzaschi, Luzzasco, Secondo libro de ricercari.

Macque 1586. Macque, Giovanni de. Ricercate et canzoni francese, a quattro voci. Roma: Alessandro Gardano, 1586. RISM ID: 1001290954.
Cycles: Macque, Giovanni de, Ricercate libro secondo.
Tenor partbook preserved in I-Fn, Biblioteca nazionale centrale MUS Rari.o. 16. Newcomb (1987) mentions a partbook in private hands, which may or may not be the same exemplar.

Macé 1582. Macé, Benedic. Instruction pour apprendre a chanter a quatre parties, selon le Plain chant... Caen: Benedic Macé, 1582.
Cycles: Macé, Benedic, Pneumes.

Madelka 1581. Madelka, Simon Bar Jona. Canticum Beatissmae Virginis Mariae. Prague: Jiří Černý, 1581. RISM ID: 990003862.
Cycles: Madelka, Simon Bar Jona, Canticum Beatissimae Virginis Mariae.

Magalhães 1636. Magalhães, Filipe de. Cantica Beatissimae Virginis. Lisboa: Lourenço Craesbeeck, 1636. RISM ID: 990038882.
Cycles: Magalhães, Filipe de, Magnificat.

Magirus 1596. Magirus, Johannes. Artis musicae, methodice legibus logicis informatae, libri duo. Frankfurt am Main: Johann Spiess, 1596.
Cycles: Magirus, Johannes, Fugae.
Dedication signed in Brunswick, 1 September 1592; the disputation on the modes was completed on 28 October 1592. An altered second edition appeared in 1611. Treatment of 12 modes in chaps. ii:5-23, using Glarean's nomenclature, though Mixolydian and Hypomixolydian are called Mixoaeolian and Hypomixoaeolian, respectively. The modes are ordered in a descending sequence, starting with Phrygian and ending with Hypolydian. Therefore, the 6 modes that have the semitone on the same degree in the species of fourth and fifth come first, then the others. The modes with the semitones in the lowest positions come first in each group. For each mode, the species in natural and transposed form, a canon, a chorale or plainchant melody, and a list of monophonic and polyphonic examples is provided. After each modal pair, Magirus likewise discusses the connection of the two modes, but with no list of polyphonic compositions. Chap. ii:28 demonstrates the ambitus of the voice parts in polyphony, and chap. ii:29 emphasizes the importance of modal cadences, without specifying these. The disputation (pp. 115-56) is a defence of Magirus's treatment of modes, and discusses whether knowledge of the modes is necessary (mentioning its rejection for polyphony by some), the number of modes, their order, and why treatment of psalm-tone differences is unnecessary.

Magnificat 1531. Magnificat sur les huit tons auec Te deum laudamus. et deux Preludes... Paris: Pierre Attaingnant, 1531. RISM ID: 993104041.
Cycles: Attaingnant, Pierre, Magnificat sur les huit tons.
Contains a cycle of Organ Magnificats, a prelude sur chacun ton and a number of other works.

Magnificat 1591-1. Magnificat, beatissimae deiparaeque virginis Mariae canticum, quinque et quatuor vocibus, secundum octo vulgares musicae modos, a diversis nostrae aetatis musicis compositum. Nürnberg: Catharina Gerlachia, 1591. RISM ID: 993120912.
Cycles: Varotto, Michele, Magnificat; Ruffo, Vincenzo, Magnificat brevi et aierosi; Guerrero, Francisco, Magnificat à 4.

Mainerio 1574. Mainerio, Giorgio. Magnificat octo tonum... cum quatuor vocibus. Venezia: Giovanni Basiletto, 1574. RISM ID: 990038945.
Cycles: Mainerio, Giorgio, Magnificat octo tonum.

Mangon 1609. Mangon, Reichard. Canticum Canticorum Salomonis das ist: das hohe Lied Salomonis. In allen Tonis mit 4. 5. 6. 7. und 8. Stimmen, dem teutschen Text gemeß, componirt... Erster Theil. Frankfurt am Main: Nicolaus Steinius, 1609. RISM ID: 990039109.
Cycles: Mangon, Reichard, Canticum Canticorum Salomonis.

Mariae 1550. Mariae Cantica vulgo Magnificat dictâ: psalmata octo tetraphona, per Christopohorum Morales, aliosque musicos. Lyon: Jacques Moderne, 1550. RISM ID: 993104640.
Cycles: Moderne, Jacques, Mariae Cantica vulgo Magnificat dicta; Moderne, Jacques, Symphona isometra.

Marini 1655. Marini, Biagio. Per ogni sorte d'istromento musicale Diuersi generi de sonate, da Chiesa, e da Camera, A Due, Trè, & à quattro. Venezia: Francesco Magni, 1655. RISM ID: 990039411.
Cycles: Marini, Biagio, Sinfonie.
Dedication signed in Venice, 1 September 1655.

Martini 1774. Martini, Giovanni Battista. Esemplare o sia saggio fondamentale pratico di contrappunto sopra... parte prima. Bologna: Lelio Della Volpe, 1774.
Cycles: Martini, Giovanni Battista, Contrappunti sopra il canto fermo.
Treatise about composing on a cantus firmus. A short introduction presents the 8 modes. The main part of the treatise prints many compositions, ordered in a modal cycle; these are analysed in great detail, but only a small part of Martini's comment concerns the modes.

Mersenne 1636. Mersenne, Marin. Harmonie universelle, contenant la théorie et la pratique de la musique. Paris: Sébastien Cramoisy, 1636.
Cycles: Racquet, Charles, Les douze modes à deux parties.
Part 2, book 3, propositions 14-20 are about the 12-mode system (in Zarlino's new ordering, beginning on C); it can be extended into a system of 72 modes by transposing each mode 5 times. The beginning of book 5 of part 2 presents a summary of 12-mode theory followed by a collection of 12 airs.

Merula 1651. Merula, Tarquinio. Il quarto libro delle canzoni da suonare. Venezia: Alessandro Vincenti, 1651. RISM ID: 990041030.
Cycles: Merula, Tarquinio, Sinfonie di tutti gli tuoni.

Merulo 1567. Merulo, Claudio. Ricercari d'intavolatura d'organo. Venezia: [n.p.], 1567. RISM ID: 1000000245.
Cycles: Merulo, Claudio, Ricercari d’intavolatura d’organo.
This print is lost since the Second World War.

Merulo 1598. Merulo, Claudio. Toccate d'intavolatura d'organo... libro primo. Roma: Simone Verovio, 1598. RISM ID: 990041050.
Cycles: Merulo, Claudio, Toccate.

Merulo 1604. Merulo, Claudio. Toccate D'intauolatura D'Organo... Libro secondo. Roma: Simone Verovio, 1604. RISM ID: 990041051.
Cycles: Merulo, Claudio, Toccate.

Merulo 1605. Merulo, Claudio. Ricercari d'intabolatura d'organo. Venezia: Angelo Gardano, 1605. RISM ID: 990041052.
Cycles: Merulo, Claudio, Ricercari d’intavolatura d’organo.

Milán 1536. Milán, Luís. Libro de musica de vihuela a mano. Intitulado El maestro. Valencia: Francisco Diaz, 1536. RISM ID: 990041388.
Cycles: Milán, Luís, Pavanas; Milán, Luís, Fantasias (i); Milán, Luís, Fantasias (ii); Milán, Luís, Fantasias (iii).
Collection of vihuela music, with instructions for playing this instrument. Short comments about the mode are attached to many compositions. A short general description of the modes and modal mixture appears on fol. r5v.

Molinaro 1605. Molinaro, Simone. Concerti ecclesiastici a due et a quatro voci... & Magnificat in tutti li otto toni. Venezia: Ricciardo Amadino, 1605. RISM ID: 990041594.
Cycles: Molinaro, Simone, Magnificat.

Morales 1542. Morales, Cristóbal de. Magnificat. Venezia: Girolamo Scotto, 1542. RISM ID: 993104349.
Cycles: Scotto, Girolamo, Magnificat.

Morales 1545. Morales, Cristóbal de. Magnificat... cum quatuor vocibus, liber primus. Venezia: Antonio Gardano, 1545. RISM ID: 990042187.
Cycles: Morales, Cristóbal de, Magnificat.

Morley 1597. Morley, Thomas. A Plaine and Easie Introduction to Practicall Musicke. London: Peter Short, 1597.
Cycles: Morley, Thomas, Tunes.
Treatise about polyphony in 3 parts, the last of which contains information about the modes. A composition must be in one key, and this is done by not changing its `air', which the ancients called `modes'. Morley refers to Boethius and Glarean for an explanation of mode. Specific instances of such airs are the eight `tunes' or psalm-tones, all of which are illustrated by a short 4-part example. The `Annotations upon the Third Part' discuss the 12 modes after Glarean, and also mention Zarlino 1558 and Zacconi 1592 as important text about the 12 modes.

Mudarra 1546. Mudarra, Alonso. Tres libros de musica en cifras para vihuela. Sevilla: Juan de Leon, 1546. RISM ID: 993104490.
Cycles: Mudarra, Alonso, Fantasias y composturas glosadas.

Muffat 1690. Muffat, Georg. Apparatus musico-organisticus... liber primus. Salzburg: The author and Johann Baptist Mayr, 1690. RISM ID: 991029362.
Cycles: Muffat, Georg, Toccate.

Muffat 1726. Muffat, Gottlieb. 72 Versetl Sammt 12 Toccaten besonders zum Kirchen-Dienst bey Choral-Aemtern und Vespern dienlich. Wien: [n.p.], 1726. RISM ID: 990046456.
Cycles: Muffat, Gottlieb, 72 Versetl samt 12 Toccaten.

Muffat 1733. Muffat, Gottlieb. Ricercate. Ms. Wien, Minoritenkonvent XIV 712.
Cycles: Muffat, Gottlieb, Ricercate.

MunTh 2. [Magnificat collection]. Ms. München, Theatinerkirche 2.
Cycles: Anonymous, Magnificat (MunTh 2).

Murschhauser 1696. Murschhauser, Franz Xaver. Octi-tonium novum organicum, octo tonis ecclesiasticis, ad Psalmos, & Magnificat. Augsburg: Laurentius Kroninger; Theophil Goebels Erben, 1696. RISM ID: 990046524.
Cycles: Murschhauser, Franz Xaver, Octi-tonium.

Murschhauser 1703. Murschhauser, Franz Xaver. Prototypon longo-breve organicum, exhibens, super tonos figuratos magis usitatos... Nürnberg: Wolfgang Moritz Endter, 1703. RISM ID: 990046526.
Cycles: Murschhauser, Franz Xaver, Prototypon longo-breve.

Murschhauser 1707. Murschhauser, Franz Xaver. Prototypi longo-brevis organici pars secunda, exhibens super reliquos Tonos figuratos magis usitatos. Nürnberg: Wolfgang Moritz Endter, 1707. RISM ID: 1001303794.
Cycles: Murschhauser, Franz Xaver, Prototypon longo-breve.

Musica 1540. Musica nova accommodata per cantar et sonar sopra organi. Venezia: [Andrea Arrivabene], 1540. RISM ID: 993104282.
Cycles: Segni, Julio, et al., Ricercari.
Collection of ricercars by different composers. The 13 compositions by Julio Segni may be a disturbed modal cycle with no distinction of authentic and plagal modes.

NL-L MS 1439. Collection of liturgical music. Ms. NL-L MS 1439. DIAMM ID: 1860.
Cycles: Clemens non Papa, Jacob, Magnificat (i).
Manuscript copied in Leyden, 1559, by Anthonius de Blauwe.

Nanino c. 1610. Nanino, Giovanni Maria; Nanino, Giovanni Bernardin. Regole di Contrapp[unto]. [Ms., no location].
Cycles: Rodio, Rocco, Dimostratione de’ dodici tuoni.
Written in Rome, possibly in or before 1606. The second half of the treatise is a reordered and somewhat abridged version of the first edition of Rodio 1609, including his modal cycle. Discussion of the 12 modes on fols. 43v-56r (from fol. 49r after Rodio); examples of cadences for the modes on fol. 72r-76r. Much attention goes to transpositions and clef combinations; there are two listings of cadences (fol. 48v).

Narváez 1538. Narváez, Luys de. Los seys libros del Delphin de musica de cifras para tañer Vihuela. Valladolid: Diego Fernandez de Cordova, 1538. RISM ID: 993104211.
Cycles: Narváez, Luis de, Tonos para vihuela.
Collection of vihuela music. Contains a short description of the 8 modes (fol. a4v).

Nauss c. 1745. Nauss, Johann Xaver. Die spielende Muse... in leichte Praeludien nach denen Kirchentonarten eingerichteten Versetten 1. Thl. Augsburg: Erben Johann Jakob Lotter, c. 1747. RISM ID: 990046833.
Cycles: Nauss, Johann Xaver, Die spielende Muse.

Nauss c. 1750. Nauss, Johann Xaver. Die spielende Muse... in leichte Praeludien nach denen Kirchentonarten eingerichteten Versetten 2. Thl. Augsburg: Joseph Friedrich Rein, c. 1750. RISM ID: 990046833.
Cycles: Nauss, Johann Xaver, Die spielende Muse.

Navarro 1590. Navarro, Juan. Psalmi, hymni ac Magnificat totius anni... Roma: Jacomo Tornieri, 1590. RISM ID: 990046840.
Cycles: Navarro, Juan, Magnificat à 4.

Navarro 1614. Navarro, Miguel. Liber Magnificarum. Pamplona: Carolus a Labayen, 1614. RISM ID: 990046842.
Cycles: Navarro, Miguel, Magnificat à 4; Navarro, Miguel, Magnificat à 8.

Neriti da Salò 1593. Neriti da Salò, Vincenzo. Magnificat octo primo chori per omnes tonos, quatuor vocibus decantandi. Venezia: Angelo Gardano, 1593. RISM ID: 990046960.
Cycles: Neriti da Salò, Vincenzo, Magnificat.

Neufiesme livre 1542. Neufiesme livre contenant xxviii. Chansons nouvelles a quatre parties, en ung volume et en deux. Paris: Pierre Attaingnant; Hubert Jullet, 1542. RISM ID: 993104331.
Cycles: Attaingnant, Pierre, Neufiesme livre de chansons nouvelles (ii).

Neufviesme livre 1540. Neufviesme livre contenant xxvij. Chansons nouvelles a quatre parties en ung volume et en deux. Paris: Pierre Attaingnant; Hubert Jullet, 1540. RISM ID: 993104273.
Cycles: Attaingnant, Pierre, Neufviesme livre de chansons nouvelles (i).

Nivers 1665. Nivers, Guillaume-Gabriel. Livre d'orgue contenant cent pièces de tous les tons de l'église. Paris: the author; Robert Ballard, 1665. RISM ID: 990047253.
Cycles: Nivers, Guillaume Gabriel, Livre d’orgue.
Collection of organ compositions. The preface discusses 8-mode theory.

Nivers 1667. Nivers, Guillaume-Gabriel. 2. Livre d'orgue... Paris: the author, 1667. RISM ID: 990047254.
Cycles: Nivers, Guillaume Gabriel, Deo Gratias.

Nivers 1675. Nivers, Guillaume-Gabriel. 3. Livre d'orgue des huit tons de l'église. Paris: the author; Robert Ballard, 1675. RISM ID: 990047255.
Cycles: Nivers, Guillaume Gabriel, Troisième livre d’orgue.

Nodari 1620. Nodari, Giovanni Paolo. Harmonicorum Concentum in almae Virginis dei Genetricis Mariae, canticum... Venezia: Bartolomeo Magni, 1620. RISM ID: 990047276.
Cycles: Nodari, Giovanni Paolo, Magnificat.

Nucius 1613. Nucius, Johannes. Musices Poeticae Siue de Compositione cantûs. Neisse: Crispinus Scharffenberg, 1613.
Cycles: Herpol, Homer, Evangelia (i); Utendal, Alexander, Septem psalmi poenitentiales, adiunctis... orationibus... quinque, ad Dodecachordi modos duodecim.
Dedication signed in Himmelwitz, 1 December 1612. Treatise about polyphonic composition. Chap. 9 is about the 12 modes. Each untransposed mode is discussed separately and illustrated by a melody in mensural notation; also, a number of polyphonic compositions are cited for each. Transposed modes are exemplified by a separate series of compositions. Nucius recommends 2 cycles through the 12 modes for further study.

Octo 1564. Octo cantica Divae Mariae Virginis, quorum initium est Magnificat, secundum octo modos, seu tonos in templis decantandis solitos. Paris: Adrian Le Roy; Robert Ballard, 1564. RISM ID: 993120360.
Cycles: Le Roy, Adrien; Ballard, Robert, Magnificat.

Onziesme livre 1542. Onziesme livre contenant xxviii. Chansons nouvelles a quatre parties, et en deux volumes. Paris: Pierre Attaingnant; Hubert Jullet, 1542. RISM ID: 993104332.
Cycles: Attaingnant, Pierre, Onziesme livre de chansons nouvelles.
Reprint of RISM 1541|19 and 1542|15

Opus 1566. Opus Musicum excellens et novum, continens sacras selectissimasque.. cantiones. Ms. D-ROu Mus. Saec. XVI-49. DIAMM ID: 2463.
Cycles: Praetorius, Jacob, Magnificat.

Otto 1609. Otto, Valerius. Musa Jessæa ... quinque vocibus ad octonos modos expressa. Leipzig: Abraham Lamberg, 1609. RISM ID: 990047591.
Cycles: Otto, Valerius, Musa Jessaea... quinque vocibus ad octonos modos expressa.
Seems to be partially or wholly lost

P-EVc, Ms. 5. P-EVc, Ms. 5. [Ms., no location]. RISM ID: 110001881.
Cycles: Navarro, Juan, Magnificat à 5.
copy of an earlier ms containing Magnificats by Juan navarro and other works

P-Lf Ms.II. Magalhães, Filipe de. Cantica beatissimi virginis Mariae quaternis vocibus. [Ms., no location]. RISM ID: 110000429.
Cycles: Magalhães, Filipe de, Magnificat.

PL-GDap 300,R/Vv,123. Manuscript of keyboard music. Ms. PL-GDap 300,R/Vv,123. RISM ID: 302002314.
Cycles: Anonymous, Phanthasiae.
Manuscript dated 1591.

PL-Kk Kk.I.2. PL-Kk Kk.I.2 . Ms. PL-Kk Kk.I.2 . RISM ID: 300258016.
Cycles: Anonymous, Magnificats à 4 (PL-Kk Kk.I.2).

Palestrina 1581. Palestrina, Giovanni Pierluigi da. Il primo libro de madrigali a cinque voci.. novamente composti & dati in luce. Venezia: Angelo Gardano, 1581. RISM ID: 990048359.
Cycles: Palestrina, Giovanni Pierluigi da, Le Vergini.

Palestrina 1591. Palestrina, Giovanni Pierluigi da. Magnificat octo tonum liber primus. Venezia: Angelo Gardano, 1591. RISM ID: 990048343.
Cycles: Palestrina, Giovanni Pierluigi da, Magnificat octo tonum a 4 (odd); Palestrina, Giovanni Pierluigi da, Magnificat octo tonum a 4 (even).

Palestrina 1593. Palestrina, Giovanni Pierluigi da. Offertoria totius anni... pars prima. Roma: Francesco Coattino, 1593. RISM ID: 990048344.
Cycles: Palestrina, Giovanni Pierluigi da, Offertoria totius anni.

Palestrina 1594. Palestrina, Giovanni Pierluigi da. Delle madrigali spirituali a cinque voci... libro secondo. Roma: Francesco Coattino, 1594. RISM ID: 990048362.
Cycles: Palestrina, Giovanni Pierluigi da, Madrigali spirituali.

Panzau c. 1745. Panzau, Octavian. Octi-Tonium Ecclesiastico-Organica Seu Fugae ex Octo Tonis Ecclesiasticis. Augsburg: Johann Christian Leopold, c. 1745. RISM ID: 990048453.
Cycles: Panzau, Octaviano, Octi-Tonium.

Parker 1567. Parker, Matthew. The whole Psalter translated into English metre. London: John Daye, 1567.
Cycles: Tallis, Thomas, Hymn Tunes.

Pasterwiz 1782. Pasterwiz, Georg. VIII Fugue secondo l'ordine de Toni ecclestastici per l'Organo o Clavicembalo. Wien: Vienna, 1782. RISM ID: 990048596.
Cycles: Pasterwiz, Georg, Fughe secondo l'ordine de Toni ecclestastici.

Penna 1669. Penna, Lorenzo. Psalmorum Totius Anni modulatio, un cum missa, et falsis bordon... Bologna: Giacomo Monti, 1669. RISM ID: 990048768.
Cycles: Penna, Lorenzo, Falsibordoni.

Pinello di Ghirardi 1583. Pinello di Ghirardi, Giovanni Battista. Deutsche Magnificat auff die acht Tonos Musicalis. Dresden: Matthäus Stökel, 1583. RISM ID: 990049829.
Cycles: Pinello di Ghirardi, Giovanni Battista, Deutsche Magnificat auff die acht Tonos Musicalis.

Pingirolo 1591. Pingirolo, Gabriele. Missarum quinque vocum liber primus. Venezia: Giacomo Vincenti, 1591. RISM ID: 990049832.
Cycles: Pingirolo, Gabriele, Missae.

Pisador 1552. Pisador, Diego. Libro de musica de vihuela. Salamanca: Diego Pisador, 1552. RISM ID: 990049887.
Cycles: Pisador, Diego, Fantasias por todos los tonos.
Contains a short discussion of the 8 modes and their finals.

Placuzzi 1667. Placuzzi, Gioseffo Maria. Suonate a duoi, à tre, à quattro, à cinque, & otto Instromenti. Bologna: Giacomo Monti, 1667. RISM ID: 990049941.
Cycles: Placuzzi, Gioseffo Maria, Suonate.

Pontio 1584. Pontio, Pietro. Magnificat... Divae Viginis... Modulationum liber primus. Venezia: Erede di Girolamo Scotto, 1584. RISM ID: 990052489.
Cycles: Pontio, Pietro, Magnificat.

Pontio 1588. Pontio, Pietro. Ragionamento di musica. Parma: Erasmo Viotto, 1588.
Cycles: Pontio, Pietro, Essempi de Motetti; Pontio, Pietro, Essempi de’ Salmi.
Dedication signed in Parma, 22 August 1588. The `ragionamento terzo' is about the modes; the `ragionamento quarto' mentions the modes several times. Much space is devoted to the differences between the 8 regular modes and the psalm tones, for each of which there is a 2-part cycle of examples. The 12-mode system is mentioned but hardly discussed (pp. 120-21). About 65 compositions are mentioned, most of these exemplifying cadences on particular scale degrees, both the usual and the unusual ones.

Porta 1578. Porta, Costanzo. Missarum liber primus. Venezia: Angelo Gardano, 1578. RISM ID: 990052583.
Cycles: Porta, Costanzo, Missae.

Portinaro 1568. Portinaro, Francesco. Le vergini... a sei voci con alcuni madregali... Venezia: Girolamo Scotto, 1568. RISM ID: 990052631.
Cycles: Portinaro, Francesco, Le vergini.

Postremum 1544. Postremum vespertini officii opus. Wittenberg: Georg Rhau, 1544. RISM ID: 993104414.
Cycles: Scotto, Girolamo, Magnificat; Rener, Adam, Magnificat.

Praeambula c. 1695. Kurtze und Leichte Praeambula, oder Versus nach ordnung der 8 Kirchen- oder Chorthonen... Ms. The Hague, Gemeentemuseum. RISM ID: 1001335083.
Cycles: Anonymous, Kurtze und leichte Praeambula, oder Versus.
Bound with a copy of Carissimi's Ars cantandi (Augsburg: Koppmayer, 1696).

Praetorius 1602. Praetorius, Hieronymus. Magnificat octo vocum super octo tonos consuetos. Hamburg: Philipp de Ohr, 1602. RISM ID: 1001073246.
Cycles: Praetorius, Hieronymus, Magnificat octo vocum.

Premier livre 1536. Premier livre contenant xxxi. chansons musicales esleves de plusieurs livres par cy devant imprimez: et nagueres reimprimees en ung volume. Paris: Pierre Attaingnant, 1536. RISM ID: 993104157.
Cycles: Attaingnant, Pierre, Premier livre de chansons musicales.

Premier livre 1538. Premier livre contenant xxv. Chansons nouvelles a quatre parties en ung volume et en deux . Paris: Pierre Attaingnant; Hubert Jullet, 1538. RISM ID: 993104198.
Cycles: Attaingnant, Pierre, Premier livre de chansons nouvelles.
Reprinted by Attaingnant in 1546 (RISM 1546-11).

Quart livre 1538. Quart livre contenant xxvij. Chansons nouvelles a quatre parties en ung volume et en deux. Paris: Pierre Attaingnant; Hubert Jullet, 1538. RISM ID: 993104201.
Cycles: Attaingnant, Pierre, Quart livre de chansons nouvelles.

Quartus 1580-2. Quartus tomus cantionum ecclesiasticarum, quatuor, quinque, et Sex vocum. . Nürnberg: N. Knorren, 1580. RISM ID: 993120681.
Cycles: Anonymous, Singulorum tonorum, et eorundem differentiarum... Psalmodia.

Quatorsiesme livre 1543. Quatorsiesme livre contenant xxix. Chansons nouvelles a quatre parties en ung volume et en deux. Paris: Pierre Attaingnant; Hubert Jullet, 1543. RISM ID: 993104356.
Cycles: Attaingnant, Pierre, Quatorsiesme livre de chansons nouvelles.

Quinziesme livre 1544. Quinziesme livre contenant xxx. Chansons nouvelles a quatre parties, et en deux volumes. Paris: Pierre Attaingnant; Hubert Jullet, 1544. RISM ID: 993104420.
Cycles: Attaingnant, Pierre, Quinziesme livre de chansons nouvelles.

RCH-Sbnc jp/o/20140924. Libro sesto LI. Ms. RCH-Sbnc jp/o/20140924. RISM ID: 390000001.
Cycles: Llorente y Sola, Diego de, Versos.

Raison 1688. Raison, André. Livre d'orgue contenant cinq messes suffisantes pour tous les tons de l'église, ou quinze Magnificats... Paris: the author, 1688. RISM ID: 990053534.
Cycles: Raison, André, Messes.

Raselius 1591. Raselius, Andreas. Hexachordum Seu quaestiones musicae practicae. Nürnberg: Gerlach, 1591.
Cycles: Utendal, Alexander, Septem psalmi poenitentiales, adiunctis... orationibus... quinque, ad Dodecachordi modos duodecim; Herpol, Homer, Evangelia (i); Lassus, Orlande de, Fasciculi aliquot sacrarum cantionum à 4; Raselius, Andreas, Fugae (i); Raselius, Andreas, Fugae (ii).
Dedication signed in Regensburg, 1 September 1589. School text in dialogue form. Chap. 6 presents the 12-mode system in rather conventional fashion. For each mode a 2 or 3-part canon is printed, and a list of chorales and polyphonic compositions. The ambitus of the polyphonic voices is discussed in the section on mixed modes that follows the discussion of the individual modes. There is also a cycle of canons in mixed modes, but no other polyphonic works are ascribed to these modes. No mention is made of the role of the modes in composition.

Raselius 1594a. Raselius, Andreas. Exercitationes... in quaeis Magnificat ad omnes Dodecachordi Glareani modos: Et aliae cantiones. [Ms., no location].
Cycles: Raselius, Andreas, Magnificat ad omnes Dodecachordi Glareani modos.
Written by Raselius in Regensburg in 1594, with some later additions. Contains compositions by Raselius, Fr. Sale, and Lassus.

Raselius 1594b. Raselius, Andreas. Teutscher Sprüche auss den Sontäglichen Evangeliis... gezogen. Nürnberg: Paul Kauffmann, 1594. RISM ID: 990053661.
Cycles: Raselius, Andreas, Teutscher Sprüche auss den Sontäglichen Evangeliis gezogen (i); Raselius, Andreas, Teutscher Sprüche auss den Sontäglichen Evangeliis gezogen (ii).

Raselius 1595. Raselius, Andreas. Teutscher Sprüche auff den Fürnemsten Järlichen Fest vnd Aposteltäge... Nürnberg: Paul Kauffmann, 1595. RISM ID: 990053661, 990053662.
Cycles: Raselius, Andreas, Teutscher Sprüche auff die Fürnemsten Järlichen Fest und Aposteltäge.

Raval 1596. Raval, Sebastián. Il Primo Libro di Ricercari a quatro voci cantabili Per Liuti Cimbali, et Viole d'arco... Palermo: Antonio de Franceschi, 1596. RISM ID: 990053837.
Cycles: Raval, Sebastián, Ricercari a quattro voci cantabili.

RegB 354-56. [Motets and liturgical compositions]. [Ms., no location].
Cycles: Zucchini, Gregorio, Falsibordoni.
Written c. 1615.

RegB 964-84. [Collection of dances, motets and madrigals]. [Ms., no location].
Cycles: Homberger, Paul, Magnificat 2 vocum.
Manuscript dating from the middle of the 17th century.

RegB C91. [Motets and Falsibordoni]. [Ms., no location].
Cycles: Seytz, Johann, Falsibordoni; Viadana, Lodovico, Falsi bordoni a cinque voci.
Manuscript written by Johannes Seytz for the monstery of Irsee, 1609.

RegB Mappe 4. Palestrina, Giovanni Pierluigi da. Ricercari IV Vocum. [Ms., no location].
Cycles: Macque, Giovanni de (?), Ricercari ossia Studi sopra li Toni XII.
Copied by Karl Proske in 1835 from a Neapolitan source, containing works by or ascribed to Palestrina. Newcomb ascribes the ricercar cycle from this source to Macque.

Regole c. 1675. Regole di canto. Ms. BolC P138, no. 12.
Cycles: Anonymous, Salmi a due (Regole c. 1675).
Contains conventional 8-mode theory, with 2-part examples.

Reiner 1586. Reiner, Jacob. Cantionum piarum, septem psalmi poenitentiales tribus vocibus, ad singulos tonos debito ordine... München: Adam Berg, 1586. RISM ID: 990054455.
Cycles: Reiner, Jacob, Psalmi poenitentiales.

Reiner 1604. Reiner, Jacob. Gloriosissimae Virginis Dei Genetricis Mariae Canticum... octonibus vocibus ad octo modos musicos compositum. Frankfurt am Main: Nikolaus Stein; Wolfgang Richter, 1604. RISM ID: 990054464.
Cycles: Reiner, Jacob, Mariae Canticum.

Rhau 1531. Rhau, Georg. Enchiridion utriusque musicae practicae. Wittenberg: Georg Rhau, 1538.
Cycles: Rhau, Georg, Tonorum psalmodiae; Agricola, Martin, Grosse Psalmen.
Dedication signed in Wittenberg, 12 June 1530. The first edition of this book appeared in 1518, the last in 1553. The edition of 1531 contains the final version of the text. Chap. 8 of this schoolbook is about the modes, but they are already mentioned in connection with solmization in chap. 4. The treatment is elementary and often concerns psalmody. Rhau applied the modes to polyphony, as in some of his examples, but he also describes judgment of polyphonic modes by the solmization syllable of the final only, thus reducing the number of polyphonic modes to four. There are two four-part psalm-tone cycles.

Riccio 1579. Riccius, Theodorus. Magnificat octo tonorum, quatuor, quinque, sex et octo vocum. Kaliningrad: Georg Osterberger, 1579. RISM ID: 990054653.
Cycles: Riccio, Teodoro, Magnificat octo tonorum.

Ristori c. 1770. Ristori, Giovanni Alberto. Esercizi per l'Accompagnamento. Ms. D-Dl Mus.2455-T-500. RISM ID: 1001038555.
Cycles: Ristori, Giovanni Alberto, Esercizi per l'Accompagnamento.

Robson c. 1764. Robson, Jean-Jacques. Preludes et versets, dan les huit differents tons de l'orgue. Tienen: l'Auteur, 1764.
Cycles: Robson, Jean Jacques, Preludes et versets, dan les huit differents tons de l'orgue.

Rodio 1609. Rodio, Rocco. Regole di musica. Napoli: Giovanni Giacomo Carlino; Costantino Vitale, 1609.
Cycles: Rodio, Rocco, Dimostratione de’ dodici tuoni.
Reprint of lost first edition of before 1601 (criticized in Cerreto 1601). Pp. 54-88 contain a discussion of the 12 modes, and a cycle of 4-part examples, all of them transposed one or more times. Mentions 1 composition.

Rodrigues Coelho 1620. Rodrigues Coelho, Manuel. Flores de musica para o instrumento de Tecla, & Harpa. Lisboa: Pedro Craesbeeck, 1620. RISM ID: 990010674.
Cycles: Rodrigues Coelho, Manuel, Tentos; Rodrigues Coelho, Manuel, Oito tons; Rodrigues Coelho, Manuel, Outros oito tonos.
Permissions to print dated 1617.

Roince 1603. Roince, Luigi. Cantica per omnes tonos Beatae Virginis Mariae. Venezia: Ricciardo Amadino, 1603. RISM ID: 990055289.
Cycles: Roince, Luigi, Cantica per omnes tonos.

Romero de Ávila 1774. Romero de Ávila, Manuel Jerónimo. Libro segundo, el qual contiene, todas las Missas que ocurren desde la Dominica de Resurrección hasta la última Pentecostes . Ms. Ms. MadM 1198.
Cycles: Romero de Ávila, Manuel Jerónimo, Missas de todos tonos.

Rore 1542. Rore, Cipriano de. I madrigali a cinque voci. Venezia: Girolamo Scotto, 1542. RISM ID: 990055808.
Cycles: Rore, Cipriano de, Madrigali.

Rore 1545. Rore, Cipriano de. Motetta nunc primum summa diligentia in lucem prodita. Venezia: Antonio Gardano, 1545. RISM ID: 990055803.
Cycles: Rore, Cipriano de, Motetta.

Ruffo 1578. Ruffo, Vincenzo. Li Magnificat brevi et aierosi... con tutti li otto falsi bordoni à cinque voci. Venezia: Girolamo Scotto, 1578. RISM ID: 990056353.
Cycles: Ruffo, Vincenzo, Magnificat brevi et aierosi; Ruffo, Vincenzo, Falsi bordoni.

Ruffo 1586. Ruffo, Vincenzo. Li soavissimi responsorii della settimama santa a 5. voci. Milano: Francesco Tini; eredi di Simone Tini, 1586. RISM ID: 990056357.
Cycles: Resta, Agostino, Otto toni in falso bordone.

Ruschardus 1603. Ruschardus, Ludovicus. Liber primus missarum quaternis vocibus. Nürnberg: Paulus Kauffmannus, 1603. RISM ID: 990056470.
Cycles: Ruschardus, Ludovicus, Missae.

Ruschardus 1604. Ruschardus, Ludovicus. Magnificat octo tonorum sex vocum. Nürnberg: Paul Kauffmann, 1604. RISM ID: 990056473.
Cycles: Ruschardus, Ludovicus, Magnificat octo tonorum.

Ruschardus 1604. Ruschardus, Ludovicus. Liber secundus missarum quaternis vocibus. [n.p.]: [n.p.], 1604. RISM ID: 990056472.
Cycles: Ruschardus, Ludovicus, Missae.

SI-Nf Ms. mus. 93. Anonymous. Sacred compositions. Ms. SI-Nf Ms. mus. 93. RISM ID: 540001621.
Cycles: Anonymous, Psalm tones (SI-Nf Ms. mus. 93).
Collection of liturgical compositions for organ 'with text', many labelled with a mode.

Sabbatini 1650. Sabbatini, Pietro Paolo. Toni ecclesiastici. Roma: Lodovico Grignani, 1650.
Cycles: Sabbatini, Pietro Paolo, Intonationi e versetti.
Dedication signed in Rome, 10 March 1650. Discusses the 8 plainchant modes.

Sabino 1587. Sabino, Ippolito. Magnificat omnitonum quinque paribus vocibus... liber primus. Venezia: Giacomo Vincenti, 1587. RISM ID: 990056600.
Cycles: Sabino, Ippolito, Magnificat omnitonum.

Sacred c. 1575. [Sacred compositions]. Ms. D-B Mus.ms. 30331. RISM ID: 455036731.
Cycles: Anonymous, Magnificat (D-B Mus.ms. 30331).
Probably a set of 4-voice pieces with only the superius surviving.

Salvatore 1641. Salvatore, Giovanni. Ricercari a quattro voci, canzoni francesi, toccate, et versi... libro primo. Napoli: Ottavio Beltrano, 1641. RISM ID: 990057156.
Cycles: Salvatore, Giovanni, Ricercari.

Santa María 1565. Santa María, Tomás de. Arte de tañer Fantasia, assi para Tecla como para Vihuela, y todo instrumento... Valladolid: Francisco Fernandez de Cordova, 1565.
Cycles: Santa María, Tomás de, Fantasías.
Privilege dated 11 April 1556. Keyboard method, giving much attention to composing and improvisation. The 8 modes are discussed in chaps. i:24 and 25. The voice that determines the mode is the soprano, not the tenor, possibly because middle voices are difficult to follow in keyboard music. There are 8 4-part examples illustrating the regular cadences (on the final and the repercussion; only 3 modes have a `clausula de passo'. 2 similar examples illustrate transposition.

Savetta 1608. Savetta, Antonio. Magnificat per omnes tonos. Venezia: Alessandro Raverii, 1608. RISM ID: 990057566.
Cycles: Savetta, Antonio, Magnificat per omnes tonos.

Scacchi c. 1800. Scacchi, Marco. Missa omnium tonorum pro electione Regis Poloniae Casimiri. [Ms., no location]. RISM ID: 452507522.
Cycles: Scacchi, Marco, Missa omnium tonorum pro electione Regis Poloniae Casimiri.

Schedlich 1613. Schedlich, Jakob. Magnificat et Intonationes precum vespertinarum, per octo usitatis tonos: quatuor vocibus. Leipzig: Johann Börner senior; Elias Rehefeld, 1613. RISM ID: 990057777.
Cycles: Schedlich, Jakob, Magnificat.

Scheidt 1624. Scheidt, Samuel. III. et ultima pars Tabulaturae... Hamburg: Michael Hering, 1624. RISM ID: 990057802.
Cycles: Scheidt, Samuel, Magnificat.

Scherer 1644. Scherer, Reginald. Vespertina omnium solemnitatum psalmodia, cum octo Magnificat, secundum octo ecclesiasticos tonos, a IV. vocibus, una cum basso pro organo. Luzern: David Hautt, 1644. RISM ID: 990057918.
Cycles: Scherer, Reginald, Octo Magnificat, secundum octo ecclesiasticos tonos.

Scherer 1664. Scherer, Sebastian Anton. Operum musicorum secundum, distinctum in libros duos: tabulaturam in cymbalo & organo intonationum brevium per octo tonos, et partituram octo toccatarum... Ulm: Sebastian Anton Scherer, 1664. RISM ID: 990057920.
Cycles: Scherer, Sebastian Anton, Intonationes; Scherer, Sebastian Anton, Toccatae.

Schiitgachero 1574. Schiitgachero, Cristophoro. Magnificat octo tonorum. Venezia: Erede di Girolamo Scotto, 1574. RISM ID: 990058047.
Cycles: Schiitgachero, Cristophoro, Magnificat octo tonorum.

Schneegass 1591. Schneegass, Cyriacus. Isagoges musicae libri duo... Erfurt: Georg Baumann, 1591.
Cycles: Avenarius, Philippus, Fugae.
Dedication signed in Friedrichsroda, 16 August 1590. The prologue in praise of music explains the importance of the modes in composition and enumerates the modal characteristics. Chaps. ii:5-10 contain a discussion of the 12-mode system that is clearly based on Glarean 1547, whose treatment of modal affects is summarized in chap. ii:6. Dressler 1561 is quoted in the treatment of the rules for the recognition of the mode in chap. ii:7. In chap. ii:10, Schneegass describes the psalm tones (tropi); he regards those that do not end on the modal final as corrupt. Many chorales are listed as examples for the modes; some of the modal characteristics are illustrated in a cycle of 2-part canons by Avenarius. The additional material at the end of the book gives a rule for the principal cadences of the modes (fol. g2r); the concluding Methodus, dated 13 August 1591, summarizes Schneegass's modal theory as point 4.

Schuyt 1611. Schuyt, Cornelis. Dodeci padovane et altretante gagliarde composte nelli dodeci modi, con due canzone fatte alla francese per sonare a sei. Leiden: Rafelengi, 1611. RISM ID: 990058877.
Cycles: Schuyt, Cornelis, Dodeci padovane et altretante gagliarde composte nelli dodeci modi.

Sebastian z Felsztyna 1517. Sebastian z Felsztyna. Opusculum musice compilatum nouiter... [Kraków]: [Jan Haller], 1517.
Cycles: Sebastian z Felsztyna, Ambitus tonorum.
Elementary text; chap. 3 is on the modes and contains extensive treatment of the psalm tones. The modal species are shown in an example at the end of the chapter, without explanation. The ambitus of each mode is illustrated by a 3-part example for each in note against note counterpoint: this is the oldest dated modal cycle not consisting of psalm-tone settings. Two similar examples in chap. 2 on solmization (which also mentions the modes) illustrate transposition.

Second 1547. Second liure contenant trois Gaillardes, trois pavanes, vingt trois branles... Paris: Pierre Attaingnant, 1547. RISM ID: 993104526.
Cycles: Attaingnant, Pierre, Second livre contenant trois gaillardes, trois pavanes, vingt-trois branles.

Second livre 1536a. Second livre contenant xxxi. chansons musicales esleves de plusieurs livres par cy devant imprimes: et nagueres reimprimees en ung volume. Paris: Pierre Attaingnant, 1536. RISM ID: 993104159.
Cycles: Attaingnant, Pierre, Second livre de chansons musicales (i).
Reprinted as Second 1537.

Second livre 1536b. Second livre contenant xxv. Chansons nouvelles a quatre parties le tout en ung livre. Paris: Pierre Attaingnant, 1536. RISM ID: 993104163.
Cycles: Attaingnant, Pierre, Second livre de chansons nouvelles (i).

Second livre 1537. Second livre contenant xxx. reemprimees en deux volumes. Paris: Pierre Attaingnant, 1537. RISM ID: 993104183.
Cycles: Attaingnant, Pierre, Second livre de chansons musicales (ii).
Slightly altered reprint of Second 1536a.

Second livre 1538. Second livre contenant xxvij. Chansons nouvelles a quatre parties en ung volume et en deux. Paris: Pierre Attaingnant; Hubert Jullet, 1538. RISM ID: 993104199.
Cycles: Attaingnant, Pierre, Second livre de chansons nouvelles (ii).
Reprinted, slightly altered, as Second 1540.

Second livre 1540. Second livre contenant xxvii. Chansons nouvelles a quatre parties, en ung volume et en deux. Paris: Pierre Attaingnant; Hubert Jullet, 1540. RISM ID: 993104296.
Cycles: Attaingnant, Pierre, Second livre de chansons nouvelles (iii).
Slightly altered reprint of Second 1538.

Second livre 1549. Second livre contenant XXVI. chansons nouvelles. Paris: Nicolas Du Chemin, 1549. RISM ID: 993104588.
Cycles: Chemin, Nicholas du, Second livre de chansons nouvelles.

Senfl 1537. Senfl, Ludwig. Magnificat octo tonorum. Nürnberg: Hieronymus Formschneider, 1537. RISM ID: 990059206.
Cycles: Senfl, Ludwig, Magnificat octo tonorum.

Septiesme livre 1539. Septiesme livre contenant xxix. Chansons nouvelles a quatre parties en ung volume et en deux. Paris: Pierre Attaingnant; Hubert Jullet, 1539. RISM ID: 993104238.
Cycles: Attaingnant, Pierre, Septiesme livre de chansons nouvelles (i).

Septiesme livre 1540. Septiesme livre contenant xxx. Chansons nouvelles a quatre parties, en ung volume et en deux. Paris: Pierre Attaingnant; Hubert Jullet, 1540. RISM ID: 993104272.
Cycles: Attaingnant, Pierre, Septiesme livre de chansons nouvelles (ii).

Severi 1615. Severi, Francesco. Salmi passaggiati... sopra i Falsi Bordoni di tutti i tuoni ecclesiastici, libro primo. Roma: Nicolò Borboni, 1615. RISM ID: 990059240.
Cycles: Severi, Francesco, Salmi passaggiati.

Sexsiesme livre 1545. Sexsiesme livre contenant xxix. Chansons nouvelles a quatre parties, en un volumes. Paris: Pierre Attaingnant, 1545. RISM ID: 993104457.
Cycles: Attaingnant, Pierre, Seysiesme livre de chansons nouvelles (ii).

Seysiesme livre 1545. Seysiesme livre contenant xxix. Chansons nouvelles a quatre parties, en deux volumes. Paris: Pierre Attaingnant; Hubert Jullet, 1545. RISM ID: 993104455.
Cycles: Attaingnant, Pierre, Seysiesme livre de chansons nouvelles (i).

Sixiesme livre 1539. Sixiesme livre contenant xxvij. Chansons nouvelles a quatre parties, en deux volumes. Paris: Pierre Attaingnant, 1539. RISM ID: 993104237.
Cycles: Attaingnant, Pierre, Sixiesme livre de chansons nouvelles.

Solin 1561. [Solin, Wenzel]. Muzyka. Léta: [n.p.], 1561.
Cycles: Listenius, Nicolaus, Psalmorum intonationes.
Dedication signed at Léta, 9 November 1561, under the pseudonym Jan Josquin; the author was Wenzel Solin, a member of the Bohemian Brethren. Schoolbook about plainchant and polyphony. The last chapter treats the rudiments of 8-mode theory and contains an incomplete cycle of four-voice psalm-tone settings after Listenius 1537 (the transcription in the edition is unreliable).

Soriano 1619. Soriano, Francesco. Passio D.N. Jesu Christi secundum quatuor evangelista, Magnificat sexdecim... quaternis vocibus in ecclesiis concinenda. Roma: Luca Antonio Soldi, 1619. RISM ID: 990060316.
Cycles: Soriano, Francesco, Magnificat.

Speth 1693. Speth, Johannes. Ars magna Consoni et Dissoni... 8 Magnificat, samt denen darzu gehörigen Praeambulis, Versen, Clausulen etc. auf die acht Chor- oder Choral-Thon eingericht. Augsburg: Lorentz Kroninger; Gottlieb Göbels Erben, 1693. RISM ID: 990060420.
Cycles: Speth, Johannes, Magnificat; Speth, Johannes, Toccatas.

Spiess 1745. Spiess, Meinrad. Tractatus musicus compositorio-practicus. Augsburg: Johann Jacob Lotter Erben, 1745.
Cycles: Spiess, Meinrad, Exempla.
Discusses the modes and their application to polyphony, and contains some polyphonic examples.

Stadlmayr 1608. Stadlmayer, Johann. Magnificat quatuor vocum super octo tonos. Passau: Matthäus Nenninger, 1608. RISM ID: 990060609.
Cycles: Stadlmayer, Johann, Magnificat quatuor vocum super octo tonos.

Stivori 1598. Stivori, Francesco. In Sanctissimae Virginis Mariae Canticum modulationes. Venezia: Ricciardo Amadino, 1598. RISM ID: 990062738.
Cycles: Stivori, Francesco, In Sanctissimae Viriginis Mariae Canticum modulationes.

Stoltzer c. 1554. Stoltzer, Thomas. Octo Tonorum Melodiae V Vocibus Compositae. [Ms., no location]. RISM ID: 220031400; DIAMM ID: 4279.
Cycles: Stoltzer, Thomas, Octo tonorum melodiae.

Strozzi 1683. Strozzi, Gregorio. Elementorum musicae praxis. Utilis non tantùm incipientibus, sed proficientibus, & perfectis. . Napoli: Novellus de Bonis, 1683. RISM ID: 990063271.
Cycles: Strozzi, Gregorio, Dui.

Susato 1544. Susato, Tylman. Premier livre des Chansons a trois parties... Antwerpen: Tylman Susato, 1544. RISM ID: 993104360.
Cycles: Susato, Tylman, Premier livre des chansons à 3.

Tevo 1706. Tevo, Zaccaria. Il musico testore. Venezia: Antonio Bartoli, 1706.
Cycles: Diruta, Girolamo, Duo; Angeli, Francesco Maria, Fughe.
Discusses the modes and their place in polyphony.

Thüring 1624. Thüring, Joachim. Opusculum bipartitum De primordiis musicis. Berlin: Georg Runge; Johann Kall, 1624.
Cycles: Herpol, Homer, Evangelia (i); Utendal, Alexander, Septem psalmi poenitentiales, adiunctis... orationibus... quinque, ad Dodecachordi modos duodecim; Dedekind, Henning, Dodekatonon musicum; Hoffmann, Eucharius, Exempla 12 tonorum in scala dura; Hoffmann, Eucharius, Exempla 12 tonorum in scala molli; Hoffmann, Eucharius, Fugae.
Dedication signed in Fürstenberg, 4 August 1624. Treatise in 2 parts, one about the 12 modes, the other about composition. Chaps. i:1-10 are about the modes in general; chaps. 1:11-24 are about the 12 modes and Glarean's 2 rejected modes. For each mode a number of chorales or plainchant melodies and polyphonic compositions are cited as examples. There are no monophonic examples for mode 6, and no polyphonic examples for the rejected modes. Several complete cycles are mentioned in part 1. In part 2 the modes appear again. Chap. ii:3 mentions the tenor principle. Chap. ii:5 discusses mode as the `foundation of composition', exemplified by a series of 12 melodies in tenor range and mensural notation. Clefs are given for all voices, and interval species for tenor and bass. Thüring also mentions the similarity of modes 1 and 9, 2 and 10, 5 and 11, and 6 and 12. Chap. ii:12 contains a series of general rules for composing; one of these mentions the importance of the modes.

Tiers livre 1536. Tiers livre contenant xxi. Chansons musicales a quatre parties composeez par Jennequin & Passereau esleves de plusieurs livres par cy devant imprimez & nagueres rimprimees. Paris: Pierre Attaingnant, 1536. RISM ID: 993104165.
Cycles: Attaingnant, Pierre, Tiers livre de chansons musicales.

Tiers livre 1538. Tiers livre contenant xxviij. Chansons nouvelles a quatre parties en ung volume et en deux. Paris: Pierre Attaingnant; Hubert Jullet, 1538. RISM ID: 993104200.
Cycles: Attaingnant, Pierre, Tiers livre de chansons nouvelles.

Tiers livre 1549. Tiers livre contenant XXII. chansons nouvelles. Paris: Nicolas Du Chemin, 1549. RISM ID: 993104589.
Cycles: Chemin, Nicholas du, Tiers livre de chansons nouvelles.

Titelouze 1626. Titelouze, Jehan. Le Magnificat ou Cantique de la Vierge pour toucher sur l'orgue suivant les huit tons de l'Église. Paris: Pierre Ballard, 1626. RISM ID: 990064353.
Cycles: Titelouze, Jehan, Magnificat.

Tonsor 1570. Tonsor, Michael. Selectae quaedam cantiones sacrae modis musicis quinque recens compositae. Nürnberg: Theodoricus Gerlatzenus, 1570. RISM ID: 990064470.
Cycles: Tonsor, Michael, Selectae quaedam cantiones sacrae.

Tonsor 1573. Tonsor, Michael. Sacrae cantiones plane novae quatuor, quinque et plurium vocum. Nürnberg: Theordoricus Gerlachius, 1573. RISM ID: 990064472.
Cycles: Tonsor, Michael, Sacrae cantiones.

Tonsor 1590. Tonsor, Michael. Cantiones ecclesiasticae quatuor et quinque vocum ex sacris literis desumptae. München: Adamus Berg, 1590. RISM ID: 990064473.
Cycles: Tonsor, Michael, Cantiones ecclesiasticae à 4; Tonsor, Michael, Psalmi.

Torres y Martínez Bravo 1703. Torres y Martínez Bravo, Joseph de. Missarum liber, ad usum sanctarum ecclesiarum utilissimus, in quo continentur octo missae. Madrid: Typographia musicae, 1703. RISM ID: 990064516.
Cycles: Torres y Martínez Bravo, Joseph de, Missae.
Seven masses reappear anonymously in a manuscript modal cycle from Santiago (ID=515)

Trabaci 1603. Trabaci, Giovanni Maria. Ricercate, canzone franzese, capricci, canti fermi, gagliarde, partite diuerse, toccate, durezze... Napoli: Costantino Vitale, 1603. RISM ID: 990064560.
Cycles: Trabaci, Giovanni Maria, Ricercate (i).
Dedication signed Naples, 10 September 1603.

Trabaci 1615. Trabaci, Giovanni Maria. Il Secondo Libro de Ricercate, & altri varij Capricci, Con Cento Versi... Napoli: Giovanni Giacomo Carlino, 1615. RISM ID: 990064568.
Cycles: Trabaci, Giovanni Maria, Ricercate (i); Trabaci, Giovanni Maria, Ricercate (ii); Trabaci, Giovanni Maria, Cento versi.
Dedication signed Naples, 10 April 1615. On p. 41 a long comment on the modes of the preceding ricercar cycles and the one in Trabaci 1603. The 2 cycles use the 12-mode system, though the earlier one in an impure form, which is also used for the cycle of 100 versi in the 8 'toni ecclesiastici' in this volume. On p. 70 a comment on mode 7.

Traicté c. 1630. Traicté des modes, ou tons, de la musique. [Ms., no location].
Cycles: Anonymous, Les modes naturels; Anonymous, Les modes transposez; Anonymous, Pseaumes.
Short treatise on the twelve modes, using Zarlino's new numbering but preserving the traditional names. The treatise is followed by an extensive collection of modally-labelled psalm settings and other works in keyboard score. One of these is Palestrina's Vestiva i colli, here assigned to mode 4 (Zarlino numbering). Literature: His 2008

Trente cincqiesme 1550. Trente cincqiesme livre contenant xxiiii Chansons nouvelles a quatre parties en deux volumes. Paris: Pierre Attaingnant, 1550. RISM ID: 993104642.
Cycles: Attaingnant, Pierre, Trente cincqiesme livre de chansons nouvelles.

Trente deuxiesme livre 1549. Trente deuxiesme livre contenant xxiiii. Chansons. nouvelles a quatre en deux volumes. Paris: Pierre Attaingnant, 1549. RISM ID: 993104585.
Cycles: Attaingnant, Pierre, Trente deuxiesme livre de chansons nouvelles.

Trente quatriesme livre 1549. Trente quatriesme livre contenant xx. Chansons. nouvelles a quatre, en deux volumes. Paris: Pierre Attaingnant, 1549. RISM ID: 993104587.
Cycles: Attaingnant, Pierre, Trente quatriesme livre de chansons nouvelles.

Trente troysiesme livre 1549. Trente troysiesme livre contenant xx. Chansons. nouvelles a quatre en deux volumes. Paris: Pierre Attaingnant, 1549. RISM ID: 993104586.
Cycles: Attaingnant, Pierre, Trente troysiesme livre de chansons nouvelles.

Trentiesme livre 1549. Trentiesme livre contenant xxviij. Chansons nouvelles a quatre... Paris: Pierre Attaingnant, 1549. RISM ID: 993104584.
Cycles: Attaingnant, Pierre, Trentiesme livre de chansons nouvelles.

TrevBC 26. [Collection of Magnificats]. Ms. I-TVd 26.
Cycles: Clinio, Teodoro, Magnificat negli otto toni a 8 voci.

Treziesme livre 1543. Treziesme livre contenant xix. Chansons nouvelles a quatre parties, en deux volumes. Paris: Pierre Attaingnant; Hubert Jullet, 1543. RISM ID: 993104385.
Cycles: Attaingnant, Pierre, Treziesme livre de chansons nouvelles.

Tudino 1590. Tudino, Cesare. Magnificat omnitonum quod partim quaternis partim octonis vocibus concinitur. Venezia: Giacomo Vincenti, 1590. RISM ID: 990064822.
Cycles: Tudino, Cesare, Magnificat omnitonum.

Untraced. Source not yet entered in the datatabase. [Ms., no location].
Cycles: Anonymous, Versillos (BarOC); Ceballos, Rodrigo de, Psalmodia modulata per tonis; Muffat, Gottlieb, 24 toccatas mit 24 capriccios; Otto, Georg, Magnificat 8 tonorum; Pérez de la Parra, Ginés, Aliqui psalmi modulati ad falsum bordonem; Appenzeller, Benedictus, Magnificat.

Utendal 1570. Utendal, Alexander. Septem Psalmi poenitentiales, adiunctis... orationibus... quinque, ad Dodecachordi modos duodecim. Nürnberg: Dietrich Gerlach, 1570. RISM ID: 990065023.
Cycles: Utendal, Alexander, Septem psalmi poenitentiales, adiunctis... orationibus... quinque, ad Dodecachordi modos duodecim.
Dedication signed Innsbruck, 2 February 1570. Dedication and especially the preface defend the 12-mode system; they also contain some arguments for the rejection of the 8-mode system.

Utendal 1573. Utendal, Alexander. Tres missae, quinque et sex vocum... item Magnificat, per octo Tonos, quatuor vocibus. Nürnberg: Dietrich Gerlach, 1573. RISM ID: 990065026.
Cycles: Utendal, Alexander, Magnificat per octo tonos.

V-CVbav CS 15. [Collection of Hymns, Canticles and Motets]. Ms. V-CVbav CS 15. RISM ID: 857000004.
Cycles: Brumel, Antoine; et al., Magnificat.
Written in Rome, c. 1495-1500.

V-CVbav CS 343. Falsibordoni. Ms. V-CVbav CS 343. RISM ID: 857000275.
Cycles: Anonymous, Falsibordoni à 4 (V-CVbav CS 343).
Source may also contain a cycle of 15 Gloria patri settings, but RISM doesn't provide incipits or tonality information for these.

V-CVbav CS 44. [Magnificats and other sacred works]. Ms. V-CVbav CS 44. RISM ID: 857000029.
Cycles: Agricola, Alexander; et al., Magnificat (V-CVbav CS 44).
Written in Rome, between 1503 and 1512.

V-CVbav MS Capp. Giulia XII,5. [Magnificat collection]. Ms. V-CVbav MS Capp. Giulia XII,5. DIAMM ID: 1499.
Cycles: Festa, Costanzo, Magnificat; Carpentras, Magnificat.
Manuscript written by Johannes Parvus in Rome, 1539-40.

V-CVbav MS Capp. Giulia XV, 22. [Magnificat collection]. Ms. V-CVbav MS Capp. Giulia XV, 22.
Cycles: Palestrina, Giovanni Pierluigi da, Magnificat à 4 (even); Palestrina, Giovanni Pierluigi da, Magnificat à 5-6 (even).

V-CVbav MS Capp. Giulia XV, 36. [Magnificat collection]. Ms. V-CVbav MS Capp. Giulia XV, 36. DIAMM ID: 2626.
Cycles: Colin, Pierre, Magnificat; Anonymous, Magnificat (V-CVbav MS Capp. Giulia XV, 36).
Written c. 1550.

V-CVbav MS Capp. Sist. 18. [Collection of Hymns and Magnificats]. Ms. V-CVbav MS Capp. Sist. 18. DIAMM ID: 1464.
Cycles: Carpentras, Magnificat.
Written by Johannes Parvus in Rome, c. 1538-39.

V-CVbav MS S. Pietro B.80. [Collection of liturgical works]. Ms. V-CVbav MS S. Pietro B.80. DIAMM ID: 806.
Cycles: Binchois, Gilles; et al., Magnificat.
Written mostly by Nicholas Ausquier in Rome c. 1474-75. Very likely copied from a source dated c. 1458-63.

Valentini 1618. Valentini, Giovanni. Salmi, hinni, magnificat, antifone, falsibordone, et motetti Concertati... Venezia: Giacomo Vincenti, 1618. RISM ID: 990065128.
Cycles: Valentini, Giovanni, Falsibordoni à 3; Valentini, Giovanni, Falsibordoni à 4.

Varotto 1580. Varotto, Michele. Li otto Magnificat a cinque voci, a dui chori... Venezia: Antonio De Antoniis, 1580. RISM ID: 990066007.
Cycles: Varotto, Michele, Magnificat.

Vecchi 1596. Vecchi, Orfeo. Psalmi integri in totius anni solemnitatibus... Milano: Eredi di Francesco e Simone Tini, 1596. RISM ID: 990066077.
Cycles: Vecchi, Orfeo, Falsibordoni à 5.

Vecchi 1600. Vecchi, Orfeo. Falsibordoni figurati sopra gli otto toni ecclesiastici distinti in diversi ordini... Milano: Erede di Simone Tini; Giovanni Francesco Besozzo, 1600. RISM ID: 990066088.
Cycles: Vecchi, Orfeo, Falsibordoni figurati.

Vecchi 1603. Vecchi, Orfeo. Magnificat quinque vocibus, liber primus. Milano: Agostino Tradate, 1603. RISM ID: 990066093.
Cycles: Vecchi, Orfeo, Magnificat à 5 (odd); Vecchi, Orfeo, Magnificat à 5 (even); Vecchi, Orfeo, Magnificat à 5 (all verses).

Vecchi c. 1600. Vecchi, Orazio. Mostra delli Tuoni della Musica... Ms. BolC C30.
Cycles: Vecchi, Orazio, Essempii delli Tuoni.
Possibly a fragment of a longer treatise on composition. The treatment of the 12-mode system is based on Zarlino 1558. Attention is paid mainly to modal affect, including its relation to instrumentation and transposition, and to cadences. Each mode is illustrated by a 4-part example, and several compositions are mentioned. There are separate examples for the cadences.

Venegas de Henestrosa 1557. Venegas de Henestrosa, Luis. Libro de cifra nueva para tecla, harpa, y vihuela... Alcalá de Henares: Joan de Brocar, 1557. RISM ID: 990066127.
Cycles: Venegas de Henestrosa, Luis, Fabordon llano; Venegas de Henestrosa, Luis, Tientos; Venegas de Henestrosa, Luis, Fabordon glosado; Venegas de Henestrosa, Luis, Fantasias de vihuela.
Contains a long introductory text about vihuela playing and elementary music theory, which includes a discussion of the 8 modes.

Versetti c. 1725. Versetti per tutti gl'octo tuoni. Ms. D-MÜs SANT Hs 4233. RISM ID: 451024388.
Cycles: Anonymous, Versetti per tutti gl'octo tuoni (D-MÜs SANT Hs 4233).

Vespa 1589. Vespa, Hieronymus. Psalmi vespertini in omnibus solemnitatibus per totum annum occurrentes, Falsi Bordoni super tonos... Venezia: Ricciardo Amadino, 1589. RISM ID: 990066333.
Cycles: Vespa, Hieronymus, Falsi Bordones super tonos.

Vesperarum 1540. Vesperarum precum officia psalmi feriarum et dominicalium dierum tocius anni. Wittenberg: Georg Rhau, 1540. RISM ID: 993104289.
Cycles: Rhau, Georg, Psalmi; Walter, Johann, Magnificat octo tonorum (i); Walter, Johann, Psalmi.

Viadana 1596. Viadana, Lodovico. [Falsi bordoni]. Venezia: Giacomo Vincenti, 1596. RISM ID: 990066361.
Cycles: Viadana, Lodovico, Falsi bordoni a cinque voci; Viadana, Lodovico, Otto tuoni per falso bordone in tripla.

Viadana c. 1820. Viadana, Lodovico. Concerti a una, due, tre, e quattro voci, | scelti dai Cento Concerti. Ms. D-B Mus.ms. 22322. RISM ID: 452514929.
Cycles: Viadana, Lodovico, 18 Falsi Bordoni passeggiati.

Victoria 1581. Victoria, Tomás Luis de. Cantica B. Virginis vulgo Magnificat... quatuor vocibus. Roma: Francesco Zannetti; Dominico Baza, 1581. RISM ID: 990066441.
Cycles: Victoria, Tomás Luis de, Magnificat.

Villancicos 1556. Villancicos De diuersos Autores, a dos, y a tres, y a quatro, y a cinco bozes... Venezia: Girolamo Scotto, 1556. RISM ID: 993120173.
Cycles: Scotto, Girolamo, Ocho tonos de canto de organo.

Villena 1548. Villena, Genesius Dominicus de. Liber secundus Magnificorum de omnibus tonis... Milano: Innocenzio da Cigognera, 1548. RISM ID: 990013937.
Cycles: Villena, Genesius Dominicus de, Magnificat liber secundus.

Vingt & ungiesme livre 1547. Vingt & ungiesme livre contenant xxv. Chansons nouvelles a quatre parties, en deux volumes. Paris: Pierre Attaingnant, 1547. RISM ID: 993104540.
Cycles: Attaingnant, Pierre, Vingt & ungiesme livre de chansons nouvelles.

Vingt deuxiesme livre 1547. Vingt deuxiesme livre contenant xxv. Chansons nouvelles a quatre parties, en deux volumes. Paris: Pierre Attaingnant, 1547. RISM ID: 993104542.
Cycles: Attaingnant, Pierre, Vingt deuxiesme livre de chansons nouvelles.

Vingtcinquiesme livre 1547. Vingtcinquiesme livre contenant xxviii. Chansons nouvelles a quatre parties, en deux volumes. Paris: Pierre Attaingnant, 1547. RISM ID: 993104508.
Cycles: Attaingnant, Pierre, Vingtcinquiesme livre de chansons nouvelles.

Vingthuitiesme 1549. Vingthuitiesme contenant xxviii. Chansons nouvelles a quatre en deux volumes. Paris: Pierre Attaingnant, 1549. RISM ID: 993104581.
Cycles: Attaingnant, Pierre, Vingthuitiesme livre de chansons nouvelles.

Vingtiesme livre 1546. Vingtiesme livre contenant xxviii. Chansons nouvelles a quatre parties, en deux volumes. Paris: Pierre Attaingnant, 1546. RISM ID: 993104466.
Cycles: Attaingnant, Pierre, Vingtiesme livre de chansons nouvelles.

Vingtneufiesme 1549. Vingtneufiesme contenant xxix. Chansons nouvelles a quatre en deux volumes. Paris: Pierre Attaingnant, 1549. RISM ID: 993104583.
Cycles: Attaingnant, Pierre, Vingtneufiesme livre de chansons nouvelles.

Vingtquatresiesme livre 1547. Vingtquatresiesme livre contenant xxvi. Chansons nouvelles a quatre parties, en deux volumes. Paris: Pierre Attaingnant, 1547. RISM ID: 993104507.
Cycles: Attaingnant, Pierre, Vingtquatresiesme livre de chansons nouvelles.

Vingtroisiesme livre 1547. Vingtroisiesme livre contenant xvii. Chansons nouvelles a quatre parties, en deux volumes. Paris: Pierre Attaingnant, 1547. RISM ID: 993104506.
Cycles: Attaingnant, Pierre, Vingtroisiesme livre de chansons nouvelles.

Vingtseptiesme 1548. Vingtseptiesme contenant xxvij. Chansons nouvelles a quatre en deux volumes. Paris: Pierre Attaingnant, 1548. RISM ID: 993104558.
Cycles: Attaingnant, Pierre, Vingtseptiesme livre de chansons nouvelles.

Vingtsixiesme livre 1548. Vingtsixiesme livre contenant xxvii. Chansons nouvelles a quatre parties en deux volumes. Paris: Pierre Attaingnant, 1548. RISM ID: 993104556.
Cycles: Attaingnant, Pierre, Vingtsixiesme livre de chansons nouvelles.

Visby 1611. Visby (Petri) Organ Tablature. Ms. Visby, Landesarkivet; S-VIl.
Cycles: Praetorius, Hieronymus, Magnificat (organ).
Manuscript written in Hamburg by Berendt Petri, dated 1611.

Vivanco 1607. Vivanco, Sebastián de. Liber Magnificarum. Salamanca: Artus Taberniel, 1607. RISM ID: 990067230.
Cycles: Vivanco, Sebastián de, Magnificat.

Vogler 1800. Vogler, Georg Joseph. Choral-System. Kobenhavn: E.F.J. Haly, 1800.
Cycles: Vogler, Georg Joseph, Choral-Verbesserungen.

Vredeman 1618. Vredeman, Jacob. Isagoge Musicae. Dat is Corte, perfecte, ende grondighe Instructie van de Principale Musijcke. Leeuwarden: Abraham van den Rade, 1618.
Cycles: Vredeman, Jacques, Canons.
Dedication signed in Leeuwarden, 24 March 1618. Contains a treatment of the 12 modes, following the German model (pp. 40-83). Mode 13 and 14 are rejected as `whore-children' (p. 41). The table of the modes on pp. 50-51 gives no full scales, only their species notes and the third above the final. With the exception of modes 3 and 4, these are also the cadence tones. The same table also lists the modal affects. The modes are exemplified by a cycle of 2-part canons.

Vulpius 1605. Vulpius, Melchior. Canticum Beatissimae Virginis Mariae, quatuor, quinque, sex et pluribus vocibus, juxta vulgares tonos. Erfurt, Jena: Heinrich Birnstiel; Christoph Lippold, 1605. RISM ID: 990067545.
Cycles: Vulpius, Melchior, Canticum Beatae Mariae Virginis.

Walter 1557. Walter, Johann. Magnificat octo tonorum quatuor, quinque, et Sex vocibus. Jena: Christian Rhode, 1557. RISM ID: 990067733.
Cycles: Walter, Johann, Magnificat octo tonorum (ii).

Zacconi 1622. Zacconi, Lodovico. Prattica di musica seconda parte. Venezia: Alessandro Vincenti, 1622.
Cycles: Morales, Cristóbal de, Magnificat; Diruta, Girolamo, Duo.
Dedication signed in Venice, 4 October 1622, written at Pesaro. Consists of 4 books; book 1 is a recapitulation of Zacconi 1592. The modes are discussed in chaps. i:40-54. The most important addition is an elaboration of the influence of the psalm-tones on the modes (chaps. i:52-53). Zacconi makes a distinction of modes as scalar constructions, of which there are 12, and as manners of singing, of which there can be 16 or even 18. A number of compositions are mentioned in these chapters; further, there are 2 examples of improvised counterpoint using Magnificat intonations on pp. 122-25 and 2 short examples with a modal designation on p. 223. Chap. iii:61 contains Diruta's cycle of duets, with a comment on the tenor principle. There is no further information on the function of the modes in counterpoint.

Zacharia 1594. Zacharia, Cesare de. Patrocinium musices, Intonationes Verspertinarum precum una cum singolorum tonorum psalmodiis (quae vulgo falsi bordoni dicuntur) quatuor vocum... München: Adam Berg, 1594. RISM ID: 990069698.
Cycles: Zacharia, Cesare de, Falsibordoni.
Dedication signed at Scheer, 20 March 1594.

Zarlino 1558. Zarlino, Gioseffo. Le istitutioni harmoniche. Venezia: [n.p.], 1558.
Cycles: Zarlino, Gioseffo, Essempi.
Privilege of the Signoria of Venice dated 16 October 1557. Reprinted a number of times; from 1573 onward with slightly altered contents. Part 4 discusses classical, plainchant, and polyphonic modality; part 3 (chaps. 10, 26, 30, 39, 40, 57, 58, 77) contains some additional information. The 12 modes defined by Glarean are used for plainchant and polyphony, but according to Zarlino these differ from the classical modes. The relationship of the modes of the individual voices and that of the whole composition is discussed in chap. iv:31. Zarlino mentions several modal characteristics, among which the cadences are the most important: these are illustrated by a cycle of 12 two-part compositions. Further, c. 70 polyphonic compositions are listed, in addition to numerous plainchant examples. Several examples from part 3 have a modally labelled cantus firmus.

Zarlino 1573. Zarlino, Gioseffo. Istitutioni harmoniche... di nuouo in molti luoghi migliorate... Venezia: Francesco Franceschi, 1573.
Cycles: Zarlino, Gioseffo, Essempi.
New edition of Zarlino 1558, reprinted in 1589 and 1602. The main difference with the earlier edition is the employment of the renumbering of the modes as proposed in Zarlino 1571. Several more compositions are mentioned than in Zarlino 1558; also, a mode has been assigned to many more examples in part 3.

Zucchini 1615. Zucchini, Gregorio. Missa quatuor vocibus decantanda cum nonnullis Psalmis integris. diuisis, Falsibordonibus... Venezia: Giacomo Vincenti, 1615. RISM ID: 990070037.
Cycles: Zucchini, Gregorio, Falsibordoni.

Zucchini 1616. Zucchini, Gregorio. Promptuarium harmonicum. Venezia: Giacomo Vincenti, 1616. RISM ID: 990070038.
Cycles: Zucchini, Gregorio, Omnitoni falsi bordoni.